Pedals that stack with the Blackstar ST. James 100 Head
← everything about the Blackstar ST. James 100 Head
All 7 ranked by how well they pair, from rig co-occurrence and tone-complementarity evidence
Catalinbread Formula 5F6
Catalinbread
26% matchpushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (crunchy → mid-forward)
Feed a crunchy signal into Catalinbread Formula 5F6 and it comes out closer to mid-forward
Goes in front of the amp
Xotic BB Preamp
Xotic
25% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → smooth)
Into Blackstar ST. James 100 Head, Xotic BB Preamp is right at home: it's built around Marshall-style amps
Goes in front of the amp
Analog Man King of Tone
Analog Man
24% matchpushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (crunchy → clean boost)
Analog Man King of Tone takes that crunchy character and pushes it toward clean boost
Goes in front of the amp
JHS 3 Series Harmonic Tremolo
JHS Pedals
15% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → lush)
JHS 3 Series Harmonic Tremolo's own voicing points at Fender-style amps, and Blackstar ST. James 100 Head delivers it
Goes in front of the amp
Origin Effects SlideRIG Compact Deluxe
Origin Effects
15% matchshapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)
Blackstar ST. James 100 Head leans into Fender-style amps, precisely the platform Origin Effects SlideRIG Compact Deluxe wants
Goes in front of the amp
Strymon TimeLine
Strymon
8% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Strymon TimeLine's pristine voice goes in Blackstar ST. James 100 Head's effects loop — it's not there to compete with Blackstar ST. James 100 Head's own crunchy character — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
MXR Analog Delay
MXR
8% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Run MXR Analog Delay in Blackstar ST. James 100 Head's effects loop, clear of Blackstar ST. James 100 Head's own gain stage — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
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