Amps that pair well with the Boss BF-2 Flanger

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Hiwatt Park Custom P45 Handwired 45W Amplifier Head's tight voice out front: Boss BF-2 Flanger goes after Hiwatt Park Custom P45 Handwired 45W Amplifier Head in the signal chain so its lush voice doesn't muddy it

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Boss BF-2 Flanger after Blackstar S1-45 in the signal chain, clear of Blackstar S1-45's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Boss BF-2 Flanger after Hiwatt SA20H Custom 20W Studio Head in the signal chain, clear of Hiwatt SA20H Custom 20W Studio Head's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Boss BF-2 Flanger's lush voice goes after Boss Acoustic Singer Live in the signal chain — it's not there to compete with Boss Acoustic Singer Live's own transparent character

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Peavey Max 300's mid-forward voice out front: Boss BF-2 Flanger goes after Peavey Max 300 in the signal chain so its lush voice doesn't muddy it

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Hiwatt Leeds 25 Combo's tight voice out front: Boss BF-2 Flanger goes after Hiwatt Leeds 25 Combo in the signal chain so its lush voice doesn't muddy it

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Boss BF-2 Flanger after Ceriatone Overtone Special HRM Bluesmaster 100 in the signal chain, clear of Ceriatone Overtone Special HRM Bluesmaster 100's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Amplified Nation Wonderland Overdrive 100W Combo's transparent voice out front: Boss BF-2 Flanger goes after Amplified Nation Wonderland Overdrive 100W Combo in the signal chain so its lush voice doesn't muddy it

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Boss BF-2 Flanger after Sunn 100s in the signal chain, clear of Sunn 100s's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Ceriatone Overtone Special HRM 100's transparent voice out front: Boss BF-2 Flanger goes after Ceriatone Overtone Special HRM 100 in the signal chain so its lush voice doesn't muddy it

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Boss BF-2 Flanger's lush voice goes after Blackstar Unity Bass U500 in the signal chain — it's not there to compete with Blackstar Unity Bass U500's own high headroom character

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Boss BF-2 Flanger after Hiwatt Park P50 Handwired 50W in the signal chain, clear of Hiwatt Park P50 Handwired 50W's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Boss BF-2 Flanger after Magnatone Super Fifty-Nine MkII 1x12 Combo in the signal chain, clear of Magnatone Super Fifty-Nine MkII 1x12 Combo's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Boss BF-2 Flanger after Fender Blues Junior IV Red Snakeskin Texas in the signal chain, clear of Fender Blues Junior IV Red Snakeskin Texas's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Boss BF-2 Flanger after 3rd Power Dragon 45 112 Combo in the signal chain, clear of 3rd Power Dragon 45 112 Combo's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep 1950s Fender Twin's mid-forward voice out front: Boss BF-2 Flanger goes after 1950s Fender Twin in the signal chain so its lush voice doesn't muddy it

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Boss BF-2 Flanger after Magnatone Super Fifty-Nine M-80 Head in the signal chain, clear of Magnatone Super Fifty-Nine M-80 Head's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Boss BF-2 Flanger after Laney Digbeth DB200-210 2x10 Bass Combo in the signal chain, clear of Laney Digbeth DB200-210 2x10 Bass Combo's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Boss BF-2 Flanger after Blackstar Unity Bass U30 in the signal chain, clear of Blackstar Unity Bass U30's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Boss BF-2 Flanger after Hartke Lightweight Bass Amplifier in the signal chain, clear of Hartke Lightweight Bass Amplifier's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Amplified Nation Overdrive Reverb 50W's transparent voice out front: Boss BF-2 Flanger goes after Amplified Nation Overdrive Reverb 50W in the signal chain so its lush voice doesn't muddy it

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Boss BF-2 Flanger after Trace Elliot TE-1200 in the signal chain, clear of Trace Elliot TE-1200's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Boss BF-2 Flanger after Two-Rock Classic Reverb Signature 6L6 100W Head in the signal chain, clear of Two-Rock Classic Reverb Signature 6L6 100W Head's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Two-Rock Gain Master 50 Head's transparent voice out front: Boss BF-2 Flanger goes after Two-Rock Gain Master 50 Head in the signal chain so its lush voice doesn't muddy it

Comes later in the signal chain