The Magnatone Super Fifty-Nine MkII 1x12 Combo is a Magnatone amplifier. Close alternatives include the Universal Audio Uafx Woodrow '55 Instrument Amplifier Preamp and the Tone King Imperial Preamp. It pairs well with the Marshall Guv'nor and the Black Arts Toneworks LSTR Fuzz.

Magnatone Super Fifty-Nine MkII 1x12 Combo

Magnatone · amplifier

The Magnatone Super Fifty-Nine MkII is a two-channel 45-watt 1x12 combo, the combo member of the Super Fifty-Nine family and its most powerful single-piece amplifier. Two channels give it switchable voices where much of the Magnatone range is single-channel, and at 45 watts it carries genuine clean headroom for stage use. Magnatone is defined by the pitch-shifting vibrato it patented in the 1950s, which varies pitch rather than volume and is the reason the brand is remembered. It suits blues, roots and rock players who need channel switching and stage-level output in one box.

What stands out

  • “Its strengths are the rich, dynamic voice, build quality, and unique vibrato; the caveats are a steep boutique price and a voicing that favors warm classic tones over modern high gain”

    — from the community notes

  • “magnatone is defined by the pitch-shifting vibrato it patented in the 1950s”

    — from the listing

  • “roots and rock players who need channel switching and stage-level output in one box”

    — from the listing

  • “players prize the super fifty-nine mkii for its thick”

    — from the community notes

  • “punchy”

    — from the community notes

  • vibrato
  • pitch
  • rock
  • thick
  • punchy
  • high gain
  • natural
  • pedal platform

Good for

  • Live
  • Studio

Genres the Magnatone Super Fifty-Nine MkII 1x12 Combo is commonly used in

  • Rock
  • Blues
  • Indie
    citedInferred from shared tonal signals, not a stated genre tag.
  • Classic Rock
    citedInferred from shared tonal signals, not a stated genre tag.
  • Alternative
    citedInferred from shared tonal signals, not a stated genre tag.
  • Country
    citedInferred from shared tonal signals, not a stated genre tag.

Pedals that stack with the Magnatone Super Fifty-Nine MkII 1x12 Combo

Marshall Guv'nor

Marshall

25% match
$106via Reverb

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

Marshall Guv'nor leans this transparent tone toward mid-forward, which it doesn't make on its own

Goes in front of the amp

Black Arts Toneworks LSTR Fuzz

Black Arts Toneworks

24% match
$119via Reverb

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → fuzzy)

The transparent tone has headroom to spare — Black Arts Toneworks LSTR Fuzz leans it toward fuzzy to fill it in

Goes in front of the amp

Beetronics Swarm

Beetronics

24% match
$249via Reverb

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → fuzzy)

The transparent tone has headroom to spare — Beetronics Swarm leans it toward fuzzy to fill it in

Goes in front of the amp

Boss BF-2 Flanger

Boss

13% match
$100via Reverb

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Boss BF-2 Flanger after Magnatone Super Fifty-Nine MkII 1x12 Combo in the signal chain, clear of Magnatone Super Fifty-Nine MkII 1x12 Combo's own gain stage

Goes in front of the amp

Universal Audio 1176 Compressor

Universal Audio

13% match
$129via Reverb

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Universal Audio 1176 Compressor leans toward compressed, and that's a real, usable character to pair with

Goes in front of the amp

Strymon BigSky

Strymon

9% match
$679via Reverb

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → ambient)

Keep Strymon BigSky in Magnatone Super Fifty-Nine MkII 1x12 Combo's effects loop, clear of Magnatone Super Fifty-Nine MkII 1x12 Combo's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

Keeley Halo

Keeley

9% match

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Keeley Halo in Magnatone Super Fifty-Nine MkII 1x12 Combo's effects loop, clear of Magnatone Super Fifty-Nine MkII 1x12 Combo's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

Friedman Small Box Overdrive

Friedman

tonal match

Goes in front of the amp

Into Magnatone Super Fifty-Nine MkII 1x12 Combo, Friedman Small Box Overdrive is right at home: it's built around a clean amp's front end

Alternativessee all similar tone character →

See all alternatives to the Magnatone Super Fifty-Nine MkII 1x12 Combo (cheaper + boutique) →

Questions people ask

What are good alternatives to the Magnatone Super Fifty-Nine MkII 1x12 Combo?+

The closest matches in character are the Universal Audio Uafx Woodrow '55 Instrument Amplifier Preamp, the Tone King Imperial Preamp, the Catalinbread Dreamcoat Skewer Special Edition Box.

What pairs well with the Magnatone Super Fifty-Nine MkII 1x12 Combo?+

Strong matches from rig and tone-complementarity evidence: Marshall Guv'nor, Black Arts Toneworks LSTR Fuzz, Beetronics Swarm — Marshall Guv'nor leans this transparent tone toward mid-forward, which it doesn't make on its own.

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