Pedals that stack with the Boss BF-2 Flanger

Ibanez Tube Screamer

The Screamer's mid-forward boost pushes into the BF-2's lush, natural flanging for a driven, colored signal.

JHS Smiley

The Smiley's clear, compressed fuzz bite gives the BF-2's lush flange something with real edge to sweep across.

MXR Micro Amp

Documented together in at least one rig — the Micro Amp's clean, transparent boost pushes the BF-2's flange sweep without adding gain of its own. — also used together by 1 artist

EarthQuaker Devices Black Eye Boost

The Black Eye Boost pushes clean volume up front; the BF-2's analog flanger sweep comes after for movement, not more grit.

Dawner Prince Boonar

Keep the Boonar after the BF-2 — the flanger's lush sweep stays intact and the delay just repeats it. — goes in the amp's FX loop (or last, into a clean amp)

Suhr Discovery

Both lean lush and vintage — the Discovery's warm delay trails and the BF-2's analog flanger sweep sit naturally in the same rig. — goes in the amp's FX loop (or last, into a clean amp)

Boss RV-3 Digital Reverb/Delay

Put Boss BF-2 Flanger after Boss RV-3 Digital Reverb/Delay in the signal chain, clear of Boss RV-3 Digital Reverb/Delay's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Fender Hammertone Reverb

The Hammertone Reverb's lush, shimmering wash trails the BF-2's lush, natural flanging into an ambient decay. — goes in the amp's FX loop (or last, into a clean amp)

Walrus Audio PRS Horsemeat

Keep Walrus Audio PRS Horsemeat's transparent voice out front: Boss BF-2 Flanger goes after Walrus Audio PRS Horsemeat in the signal chain so its analog warmth voice doesn't muddy it

Keeley Oxblood Overdrive

Put Boss BF-2 Flanger after Keeley Oxblood Overdrive in the signal chain, clear of Keeley Oxblood Overdrive's own gain stage

Electro-Harmonix Canyon Echo Multi-Function Digital Delay

Keep Boss BF-2 Flanger after Electro-Harmonix Canyon Echo Multi-Function Digital Delay in the signal chain, clear of Electro-Harmonix Canyon Echo Multi-Function Digital Delay's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

JHS Violet Lari Basilio Signature Distortion

Boss BF-2 Flanger's analog warmth voice goes after JHS Violet Lari Basilio Signature Distortion in the signal chain — it's not there to compete with JHS Violet Lari Basilio Signature Distortion's own warm character

Zvex 59 Sound

Get the 59 Sound's singing blues breakup going first, then let the BF-2's flanger add movement on top without stepping on the gain.

Origin Effects DELUXE61 Amp Tremolo & Drive

The DELUXE61 gets you into vintage tube breakup first; stack the BF-2's flanger sweep after for movement on top of that grit.

Fender Engager Boost

Keep Boss BF-2 Flanger after Fender Engager Boost in the signal chain, clear of Fender Engager Boost's own gain stage

Wampler Tumnus Deluxe

Run Boss BF-2 Flanger after Wampler Tumnus Deluxe in the signal chain, clear of Wampler Tumnus Deluxe's own gain stage

Empress Effects Drive Analog Overdrive

Run Boss BF-2 Flanger after Empress Effects Drive Analog Overdrive in the signal chain, clear of Empress Effects Drive Analog Overdrive's own gain stage

JHS 3 Series Octave Reverb

Run Boss BF-2 Flanger after JHS 3 Series Octave Reverb in the signal chain, clear of JHS 3 Series Octave Reverb's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Catalinbread Galileo 4K Foundation Overdrive

Run Boss BF-2 Flanger after Catalinbread Galileo 4K Foundation Overdrive in the signal chain, clear of Catalinbread Galileo 4K Foundation Overdrive's own gain stage

Tru-Fi The Newton

Boss BF-2 Flanger's analog warmth voice goes after Tru-Fi The Newton in the signal chain — it's not there to compete with Tru-Fi The Newton's own bright character

Alexander Pedals Radical 3 mod Digital Delay

Run the BF-2's lush, natural flange after the Radical 3 mod's own chorus-laced delay, so the two modulations don't just double up ahead of each other. — goes in the amp's FX loop (or last, into a clean amp)

Catalinbread Sidearm

Put Boss BF-2 Flanger after Catalinbread Sidearm in the signal chain, clear of Catalinbread Sidearm's own gain stage

Benson Amps Florist Dynamic Modulator

Put Boss BF-2 Flanger after Benson Amps Florist Dynamic Modulator in the signal chain, clear of Benson Amps Florist Dynamic Modulator's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Mesa Boogie Grid Slammer Overdrive

Keep Mesa Boogie Grid Slammer Overdrive's transparent voice out front: Boss BF-2 Flanger goes after Mesa Boogie Grid Slammer Overdrive in the signal chain so its analog warmth voice doesn't muddy it