Pedals that stack with the Boss BF-2 Flanger

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Boss BF-2 Flanger after Boss BP-1 in the signal chain, clear of Boss BP-1's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Boss BF-2 Flanger after Empress Effects Drive Analog Overdrive in the signal chain, clear of Empress Effects Drive Analog Overdrive's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Boss BF-2 Flanger after Analogman NEW Analog MAN BAD BOB Boost in the signal chain, clear of Analogman NEW Analog MAN BAD BOB Boost's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Boss BF-2 Flanger's lush voice goes after DigiTech DOD Looking Glass Signature Designer Distortion in the signal chain — it's not there to compete with DigiTech DOD Looking Glass Signature Designer Distortion's own transparent character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Boss BF-2 Flanger after Fender Engager Boost in the signal chain, clear of Fender Engager Boost's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Boss BF-2 Flanger's lush voice goes after Electro-Harmonix LPB-3 in the signal chain — it's not there to compete with Electro-Harmonix LPB-3's own transparent character

Comes earlier in the signal chain

Used together by 1 artist

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Boss BF-2 Flanger's lush voice goes after Boss SD-1 Super OverDrive in the signal chain — it's not there to compete with Boss SD-1 Super OverDrive's own mid-forward character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Boss BF-2 Flanger after 67Audio Harry Balz in the signal chain, clear of 67Audio Harry Balz's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run the BF-2's lush, natural flange after the Radical 3 mod's own chorus-laced delay, so the two modulations don't just double up ahead of each other. — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Boss BF-2 Flanger's lush voice goes after Carl Martin Rock Drive in the signal chain — it's not there to compete with Carl Martin Rock Drive's own crunchy character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Boss BF-2 Flanger after Origin Effects DCX Bass in the signal chain, clear of Origin Effects DCX Bass's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Boss BF-2 Flanger after MXR Custom Comp in the signal chain, where it won't crowd MXR Custom Comp — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Boss BF-2 Flanger's lush voice goes after Mission Engineering NuAudio Nutube Velocity Overdrive/Distortion in the signal chain — it's not there to compete with Mission Engineering NuAudio Nutube Velocity Overdrive/Distortion's own harmonically rich character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Boss BF-2 Flanger's lush voice goes after Walrus Audio Voyager Pre-Amp Overdrive 10-Year Anniversary Splatter in the signal chain — it's not there to compete with Walrus Audio Voyager Pre-Amp Overdrive 10-Year Anniversary Splatter's own transparent character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Boss BF-2 Flanger after Browne Amplification Alkene Nashville Overdrive in the signal chain, clear of Browne Amplification Alkene Nashville Overdrive's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Boss BF-2 Flanger after Mad Professor Supreme Matt Schofield Overdrive in the signal chain, clear of Mad Professor Supreme Matt Schofield Overdrive's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Boss BF-2 Flanger after Crazy Tube Circuits Clean Little Secret in the signal chain, clear of Crazy Tube Circuits Clean Little Secret's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Boss BF-2 Flanger after Alexander Pedals Marshmallow in the signal chain, where it won't crowd Alexander Pedals Marshmallow — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Boss BF-2 Flanger after Xotic RC Booster V2 in the signal chain, clear of Xotic RC Booster V2's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Catalinbread Dirty Little Secret Deluxe's full voice out front: Boss BF-2 Flanger goes after Catalinbread Dirty Little Secret Deluxe in the signal chain so its lush voice doesn't muddy it — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Boss BF-2 Flanger's lush voice goes after Xotic Bass RC Booster V2 in the signal chain — it's not there to compete with Xotic Bass RC Booster V2's own transparent character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Boss BF-2 Flanger after JHS Notaklön in the signal chain, clear of JHS Notaklön's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Boss BF-2 Flanger after ThorpyFX Heavy Water Dual Boost in the signal chain, clear of ThorpyFX Heavy Water Dual Boost's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Boss BF-2 Flanger after Catalinbread Blood Donor in the signal chain, clear of Catalinbread Blood Donor's own gain stage

Comes earlier in the signal chain