Analogman NEW Analog MAN BAD BOB Boost

Revv Generator G20 20-Watt 2-Channel Tube Head leans this transparent tone toward high gain, which it doesn't make on its own

Comes later in the signal chain

Into a transparent tone, Diezel VH4 4-Channel 100-Watt brings a pull toward high gain that's missing

Comes later in the signal chain

Comes later in the signal chain

Into a transparent tone, Mesa/Boogie JP-2C John Petrucci Signature 60/100-Watt brings a pull toward high gain that's missing

Comes later in the signal chain

Synergy SL2 Module leans this transparent tone toward high gain, which it doesn't make on its own

Comes later in the signal chain

Into a transparent tone, Marshall Studio JCM900 SN20H brings a pull toward high gain that's missing

Comes later in the signal chain

Friedman BE-Mini Head leans this transparent tone toward high gain, which it doesn't make on its own

Comes later in the signal chain

Hughes & Kettner Warp 7 leans this transparent tone toward high gain, which it doesn't make on its own

Comes later in the signal chain

Into a transparent tone, Egnater Tweaker 88 Head brings a pull toward low gain that's missing

Keep the Frazz Dazzler's gated, low-gain fuzz ahead of the Bad Bob so the harmonic boost still shapes a clean signal before the fuzz distorts it.

Comes later in the signal chain

Into a transparent tone, Beetronics Nectar brings a pull toward fuzzy that's missing

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Boss BF-2 Flanger after Analogman NEW Analog MAN BAD BOB Boost in the signal chain, clear of Analogman NEW Analog MAN BAD BOB Boost's own gain stage

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

Vox Valvenergy Silk Drive leans toward smooth, and that's a real, usable character to pair with

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Analogman NEW Analog MAN BAD BOB Boost's warm voice out front: Neunaber Wet Mono Reverb Pedal goes after Analogman NEW Analog MAN BAD BOB Boost in the signal chain so its pristine voice doesn't muddy it — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Boss DD-3 Digital Delay after Analogman NEW Analog MAN BAD BOB Boost in the signal chain, clear of Analogman NEW Analog MAN BAD BOB Boost's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

Comes later in the signal chain

Dr. Scientist Frazz Dazzler V2 leans this transparent tone toward fuzzy, which it doesn't make on its own

Comes later in the signal chain

Put Warm Audio Jet Phaser after Analogman NEW Analog MAN BAD BOB Boost: modulation sits after the gain for a defined swirl