ThorpyFX Heavy Water Dual Boost

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

Into a transparent tone, Marshall JCM900 2100 brings a pull toward mid-forward that's missing

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

Orange Rockerverb 50 MkIII 2-Channel 50W Head leans this transparent tone toward mid-forward, which it doesn't make on its own

Comes later in the signal chain

Comes later in the signal chain

Ceriatone 2202H leans this transparent tone toward high gain, which it doesn't make on its own

Comes later in the signal chain

Synergy SL2 Module leans this transparent tone toward high gain, which it doesn't make on its own

Comes later in the signal chain

Into a transparent tone, ENGL Special Edition E670 brings a pull toward high gain that's missing

Comes later in the signal chain

Into a transparent tone, Friedman Small Box 50W EL34 Amp Head brings a pull toward high gain that's missing

Comes later in the signal chain

Into a transparent tone, Mesa/Boogie JP-2C John Petrucci Signature 60/100-Watt brings a pull toward high gain that's missing

Comes later in the signal chain

Into a transparent tone, Orange Rockerverb 50 MkIII NEO 50W 2x12 Combo brings a pull toward high gain that's missing

Into a transparent tone, Dr. Scientist Frazz Dazzler brings a pull toward low gain that's missing

Comes later in the signal chain

Into a transparent tone, EarthQuaker Devices Hizumitas brings a pull toward high gain that's missing

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Boss BF-2 Flanger after ThorpyFX Heavy Water Dual Boost in the signal chain, clear of ThorpyFX Heavy Water Dual Boost's own gain stage

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

Wampler Mini Ego 76 Compressor's own compressed character is the real reason this is worth trying

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Binson Echorec Delay after ThorpyFX Heavy Water Dual Boost in the signal chain, clear of ThorpyFX Heavy Water Dual Boost's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Boss RV-5 Digital Reverb's spring voice goes after ThorpyFX Heavy Water Dual Boost in the signal chain — it's not there to compete with ThorpyFX Heavy Water Dual Boost's own clean boost character — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

Comes later in the signal chain

Dr. Scientist Frazz Dazzler V2 leans this transparent tone toward fuzzy, which it doesn't make on its own

Comes later in the signal chain

Donner Big Mouth Distortion leans this transparent tone toward high gain, which it doesn't make on its own