Pedals that stack with the Boss BF-2 Flanger

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Boss BF-2 Flanger after Old Blood Noise Endeavors BL-44 Reverse in the signal chain, where it won't crowd Old Blood Noise Endeavors BL-44 Reverse — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Boss BF-2 Flanger after Benson Amps Germanium Fuzz in the signal chain, clear of Benson Amps Germanium Fuzz's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Boss BF-2 Flanger's lush voice goes after NuX Horseman Gold 2 in 1 Overdrive in the signal chain — it's not there to compete with NuX Horseman Gold 2 in 1 Overdrive's own high headroom character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Boss BF-2 Flanger after Beetronics Nectar Tone Sweetener in the signal chain, clear of Beetronics Nectar Tone Sweetener's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Mile End Effects PreAmp 150's transparent voice out front: Boss BF-2 Flanger goes after Mile End Effects PreAmp 150 in the signal chain so its lush voice doesn't muddy it

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Boss BF-2 Flanger after Spaceman Effects Atlas IV in the signal chain, clear of Spaceman Effects Atlas IV's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Boss BF-2 Flanger after Browne Amplification Protein White in the signal chain, clear of Browne Amplification Protein White's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Boss BF-2 Flanger after Xotic AC Booster V2 in the signal chain, clear of Xotic AC Booster V2's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Boss BF-2 Flanger's lush voice goes after Origin Effects Halcyon Gold Overdrive in the signal chain — it's not there to compete with Origin Effects Halcyon Gold Overdrive's own transparent character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep JHS 424 Gain Stage's transparent voice out front: Boss BF-2 Flanger goes after JHS 424 Gain Stage in the signal chain so its lush voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Boss BF-2 Flanger after Catalinbread SFT V2 in the signal chain, clear of Catalinbread SFT V2's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Boss BF-2 Flanger after Browne Amps The Protein in the signal chain, clear of Browne Amps The Protein's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Boss BF-2 Flanger's lush voice goes after JHS Pedals JHS Hare Drive in the signal chain — it's not there to compete with JHS Pedals JHS Hare Drive's own saturated character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Boss BF-2 Flanger after Electronic Audio Experiments Halberd V2.5 in the signal chain, clear of Electronic Audio Experiments Halberd V2.5's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Boss BF-2 Flanger after Warm Guitar Pedals WA-CVS in the signal chain, clear of Warm Guitar Pedals WA-CVS's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run the BF-2's lush, natural flange after the Super Radical Delay's resonant repeats, so the modulation moves a settled delay tail. — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Boss BF-2 Flanger after Electro-Harmonix Lizard Queen Octave/Fuzz in the signal chain, clear of Electro-Harmonix Lizard Queen Octave/Fuzz's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Empress Reverb's spring voice out front: Boss BF-2 Flanger goes after Empress Reverb in the signal chain so its lush voice doesn't muddy it — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Boss BF-2 Flanger's lush voice goes after Beetronics FatBee Overdrive in the signal chain — it's not there to compete with Beetronics FatBee Overdrive's own transparent character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Keeley Katana Clean Boost V2's transparent voice out front: Boss BF-2 Flanger goes after Keeley Katana Clean Boost V2 in the signal chain so its lush voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Boss BF-2 Flanger's lush voice goes after Ashdown Woodsman Acoustic in the signal chain — it's not there to compete with Ashdown Woodsman Acoustic's own transparent character

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Boss BF-2 Flanger after Strymon PCH-1 in the signal chain, clear of Strymon PCH-1's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Boss BF-2 Flanger after Blackstar LT Drive in the signal chain, clear of Blackstar LT Drive's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Tone City Sweet Cream v2025's transparent voice out front: Boss BF-2 Flanger goes after Tone City Sweet Cream v2025 in the signal chain so its lush voice doesn't muddy it

Comes earlier in the signal chain