Pedals that stack with the Boss CE-1 Chorus Ensemble

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Boss CE-1 Chorus Ensemble after Ashdown John Myung Double Drive in the signal chain, clear of Ashdown John Myung Double Drive's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Boss CE-1 Chorus Ensemble after Keeley Memphis Sun in the signal chain, where it won't crowd Keeley Memphis Sun — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Boss CE-1 Chorus Ensemble's lush voice goes after Caline CP-16 MR. Mark in the signal chain — it's not there to compete with Caline CP-16 MR. Mark's own low gain character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Boss CE-1 Chorus Ensemble after Electro-Harmonix Mainframe Bit Crusher in the signal chain, clear of Electro-Harmonix Mainframe Bit Crusher's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Boss CE-1 Chorus Ensemble after Caroline Guitar Company "The Blues" Transistor Tone Enhancer/Overdrive in the signal chain, clear of Caroline Guitar Company "The Blues" Transistor Tone Enhancer/Overdrive's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Fender Hammertone Reverb's lush voice out front: Boss CE-1 Chorus Ensemble goes after Fender Hammertone Reverb in the signal chain so its lush voice doesn't muddy it — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Boss CE-1 Chorus Ensemble after Wampler Faux Tape Echo V2 in the signal chain, where it won't crowd Wampler Faux Tape Echo V2 — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Boss CE-1 Chorus Ensemble after DOD Gonkulator Ring Modulator in the signal chain, clear of DOD Gonkulator Ring Modulator's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Boss CE-1 Chorus Ensemble after Carl Martin DC Drive V3 in the signal chain, clear of Carl Martin DC Drive V3's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Boss CE-1 Chorus Ensemble after Boss VB-2W in the signal chain, clear of Boss VB-2W's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Boss CE-1 Chorus Ensemble after Behringer BOD400 Bass Overdrive in the signal chain, clear of Behringer BOD400 Bass Overdrive's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Dunlop MXR Randy Rhoads Concorde Distortion, model RR104C's compressed voice out front: Boss CE-1 Chorus Ensemble goes after Dunlop MXR Randy Rhoads Concorde Distortion, model RR104C in the signal chain so its lush voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Mooer Demonfx TS Green's mid-forward voice out front: Boss CE-1 Chorus Ensemble goes after Mooer Demonfx TS Green in the signal chain so its lush voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Boss CE-1 Chorus Ensemble after Line 6 DL4 MkII in the signal chain, where it won't crowd Line 6 DL4 MkII — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Boss CE-1 Chorus Ensemble's lush voice goes after Wampler Ethereal in the signal chain — it's not there to compete with Wampler Ethereal's own lush character — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Boss CE-1 Chorus Ensemble after Behringer DR600 Digital Stereo Reverb in the signal chain, where it won't crowd Behringer DR600 Digital Stereo Reverb — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Boss CE-1 Chorus Ensemble after Ortega BeatNICK Digitale Stomp Box in the signal chain, clear of Ortega BeatNICK Digitale Stomp Box's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Boss CE-1 Chorus Ensemble after Walrus Audio Mako R1 Reverb MkII in the signal chain, where it won't crowd Walrus Audio Mako R1 Reverb MkII — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Boss CE-1 Chorus Ensemble after J. Rockett Monkeyman in the signal chain, clear of J. Rockett Monkeyman's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Boss CE-1 Chorus Ensemble after Red Panda Particle 2 in the signal chain, where it won't crowd Red Panda Particle 2 — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Boss CE-1 Chorus Ensemble's lush voice goes after DigiTech Badder Monkey Tube Overdrive in the signal chain — it's not there to compete with DigiTech Badder Monkey Tube Overdrive's own mid-forward character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Boss CE-1 Chorus Ensemble after JAM Pedals Double Dreamer in the signal chain, clear of JAM Pedals Double Dreamer's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Boss CE-1 Chorus Ensemble after Shadow SH Stompin Bass Perkussives Bassdrum-Instrument in the signal chain, clear of Shadow SH Stompin Bass Perkussives Bassdrum-Instrument's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Boss CE-1 Chorus Ensemble's lush voice goes after Maxon OOD-9 in the signal chain — it's not there to compete with Maxon OOD-9's own mid-forward character

Comes earlier in the signal chain