Pedals that stack with the Boss CE-2 Chorus

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Boss CE-2 Chorus's modulated voice goes after Boss DD-200 Digital Delay in the signal chain — it's not there to compete with Boss DD-200 Digital Delay's own shimmer character — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

What Fulltone OCD Obsessive Compulsive Drive brings here leans toward op-amp — that's worth building a pairing around

Comes earlier in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)

RHC Rat Turbo Rat Distortion's own aggressive character is the real reason this is worth trying

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Boss CE-2 Chorus after Walrus Audio Warhorn in the signal chain, clear of Walrus Audio Warhorn's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Benson Amps BA-Pre's bright voice out front: Boss CE-2 Chorus goes after Benson Amps BA-Pre in the signal chain so its modulated voice doesn't muddy it

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Boss CE-2 Chorus after Alexander Pedals Hot Pink Drive in the signal chain, clear of Alexander Pedals Hot Pink Drive's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Boss CE-2 Chorus after Silktone Overdrive Plus in the signal chain, clear of Silktone Overdrive Plus's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Boss CE-2 Chorus after Crazy Tube Circuits Constellation OC41 in the signal chain, clear of Crazy Tube Circuits Constellation OC41's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Crazy Tube Circuits Constellation Germanium Fuzz/Booster's germanium voice out front: Boss CE-2 Chorus goes after Crazy Tube Circuits Constellation Germanium Fuzz/Booster in the signal chain so its modulated voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep JHS Legends Series Smiley 1969 London Fuzz's silicon voice out front: Boss CE-2 Chorus goes after JHS Legends Series Smiley 1969 London Fuzz in the signal chain so its modulated voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Boss CE-2 Chorus after Alexander Golden Summer Reverb in the signal chain, where it won't crowd Alexander Golden Summer Reverb — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Dophix Medici's saturated voice out front: Boss CE-2 Chorus goes after Dophix Medici in the signal chain so its modulated voice doesn't muddy it

Comes earlier in the signal chain

Used together by 1 artist

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Dawner Prince Boonar after Boss CE-2 Chorus in the signal chain, where it won't crowd Boss CE-2 Chorus — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

Used together by 1 artist

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Neunaber Wet Mono Reverb Pedal after Boss CE-2 Chorus in the signal chain, where it won't crowd Boss CE-2 Chorus — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Boss CE-2 Chorus after EarthQuaker Devices Westwood Translucent Drive Manipulator in the signal chain, clear of EarthQuaker Devices Westwood Translucent Drive Manipulator's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Vertex Ultraphonix HRM's saturated voice out front: Boss CE-2 Chorus goes after Vertex Ultraphonix HRM in the signal chain so its modulated voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Boss CE-2 Chorus after Beetronics OC-BS in the signal chain, clear of Beetronics OC-BS's own gain stage

Comes earlier in the signal chain