Amps that pair well with the Boss DS-2 Turbo Distortion
← everything about the Boss DS-2 Turbo Distortion
All 17 ranked by how well they pair, from rig co-occurrence and tone-complementarity evidence
Fender 'Black Panel' Twin Reverb (1963-1967)
Fender
58% match“I use this on the clean channel with a Vox guitar with a boss ds-2 for higher gain”— from the fender-twin-reverb-blackface listing
Comes later in the signal chain
Laney Ironheart Foundry Leadtop 60W Head
Laney
30% matchgain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → high gain)
Laney Ironheart Foundry Leadtop 60W Head layers high gain onto an already mid-forward signal
Comes later in the signal chain
Friedman Dirty Shirley
Friedman
29% matchgain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → high gain)
Into the Dirty Shirley's vintage, British crunch, the DS-2's warm, smooth lead saturation has a genuinely raw amp voice to push into.
Comes later in the signal chain
Bad Cat Ocelot
Bad Cat
23% matchRun Boss DS-2 Turbo Distortion into that high headroom platform and it finally leans toward mid-forward
Comes later in the signal chain
Blackstar St. James 100h,
Blackstar
22% matchpushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → mid-forward)
Stack Boss DS-2 Turbo Distortion on top and a high gain tone tightens toward mid-forward
Comes later in the signal chain
ENGL E633 Fireball 25
Engl
22% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
The transparent tone has headroom to spare — Boss DS-2 Turbo Distortion leans it toward mid-forward to fill it in
Comes later in the signal chain
Engl E 635 100 Head
Engl
22% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
Into a transparent tone, Boss DS-2 Turbo Distortion brings a pull toward mid-forward that's missing
Comes later in the signal chain
Engl E656 Steve Morse
Engl
22% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
Into a transparent tone, Boss DS-2 Turbo Distortion brings a pull toward mid-forward that's missing
Comes later in the signal chain
Randall RB100
Randall
21% matchInto a high headroom tone, Boss DS-2 Turbo Distortion brings a pull toward mid-forward that's missing
Comes later in the signal chain
ENGL E651 Artist Edition
Engl
21% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
Into a transparent tone, Boss DS-2 Turbo Distortion brings a pull toward mid-forward that's missing
Comes later in the signal chain
Hughes & Kettner TubeMeister 18
Hughes & Kettner
20% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
Boss DS-2 Turbo Distortion leans this transparent tone toward mid-forward, which it doesn't make on its own
Comes later in the signal chain
Blackstar St. James 50 6L6 Head
Blackstar
20% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)
Stack Boss DS-2 Turbo Distortion on top and a scooped tone tightens toward mid-forward
Comes later in the signal chain
Mesa Boogie F-100 2x12 Combo
Mesa Boogie
18% matchThe high headroom tone has headroom to spare — Boss DS-2 Turbo Distortion leans it toward mid-forward to fill it in
Comes later in the signal chain
Gibson Vanguard GA-77 RET
Gibson
18% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
Boss DS-2 Turbo Distortion leans this transparent tone toward mid-forward, which it doesn't make on its own
Comes later in the signal chain
Blackstar Series One 100 MkII
Blackstar
18% matchBoss DS-2 Turbo Distortion leans this high headroom tone toward mid-forward, which it doesn't make on its own
Comes later in the signal chain
Mojotone Studio One Amplifier
Mojotone
17% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
Boss DS-2 Turbo Distortion leans this transparent tone toward mid-forward, which it doesn't make on its own
Comes later in the signal chain
PRS SE 20 Head
PRS
16% matchpushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (crunchy → mid-forward)
Boss DS-2 Turbo Distortion takes that crunchy character and pushes it toward mid-forward
Comes later in the signal chain
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