Amps that pair well with the Boss ODB-3
← everything about the Boss ODB-3
All 21 ranked by how well they pair, from rig co-occurrence and tone-complementarity evidence
Hiwatt Bulldog 30 Combo
Hiwatt
29% matchThe transparent tone has headroom to spare — Boss ODB-3 leans it toward low gain to fill it in
Comes later in the signal chain
Gallien-Krueger Kruger GK MB 108 Bass Combo
Gallien Krueger
25% matchBoss ODB-3 leans this transparent tone toward low gain, which it doesn't make on its own
Comes later in the signal chain
Trace Elliot TE-1200
Trace Elliot
22% matchRun Boss ODB-3 into that high headroom platform and it finally leans toward low gain
Comes later in the signal chain
SWR California Blonde
Swr
22% matchThe transparent tone has headroom to spare — Boss ODB-3 leans it toward low gain to fill it in
Comes later in the signal chain
Marshall Super Bass
Marshall
21% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Into the Super Bass's warm pedal platform, the ODB-3's low-end-focused overdrive keeps the fundamental intact instead of thinning it out.
Comes later in the signal chain
Gallien-Krueger MB210MK2
Gallien Krueger
21% matchRun Boss ODB-3 into that transparent platform and it finally leans toward low gain
Comes later in the signal chain
Ampeg BA- 115 V2
Ampeg
21% matchThe ODB-3's bass-voiced overdrive gives the BA-115's quiet, rehearsal-level tone real rock grit.
Comes later in the signal chain
Blackstar Unity Bass U500
Blackstar
20% matchThe high headroom tone has headroom to spare — Boss ODB-3 leans it toward low gain to fill it in
Comes later in the signal chain
Aguilar AG700 V2
Aguilar
20% matchThe ODB-3's fundamental, EQ'd bass overdrive pushes the AG700's quiet, studio-clean punch into real gain.
Comes later in the signal chain
Gallien-Krueger Legacy 1200
Gallien Krueger
20% matchThe transparent tone has headroom to spare — Boss ODB-3 leans it toward low gain to fill it in
Comes later in the signal chain
Hartke Lightweight Bass Amplifier
Hartke
20% matchInto a transparent tone, Boss ODB-3 brings a pull toward low gain that's missing
Comes later in the signal chain
Ampeg GV-12UK
Ampeg
19% matchThe ODB-3's bass-voiced overdrive gives the GV-12UK's natural jazz-blues tone real rock grit.
Comes later in the signal chain
Gallien-Krueger Legacy 112
Gallien Krueger
19% matchBoss ODB-3 leans this transparent tone toward low gain, which it doesn't make on its own
Comes later in the signal chain
EBS HD360
Ebs
19% matchInto a transparent tone, Boss ODB-3 brings a pull toward low gain that's missing
Comes later in the signal chain
Blackstar Unity Bass U60
Blackstar
19% matchThe transparent tone has headroom to spare — Boss ODB-3 leans it toward low gain to fill it in
Comes later in the signal chain
Warwick DS 500 Double Stage Bass Amp Head
Warwick
18% matchRun Boss ODB-3 into that transparent platform and it finally leans toward low gain
Comes later in the signal chain
Gallien-Krueger MB115-II Combo
Gallien Krueger
18% matchBoss ODB-3 leans this transparent tone toward low gain, which it doesn't make on its own
Comes later in the signal chain
Boss Waza-Air Bass
Boss
17% matchInto a transparent tone, Boss ODB-3 brings a pull toward low gain that's missing
Comes later in the signal chain
Boss Katana Bass KTN-210B
Boss
16% matchRun Boss ODB-3 into that high headroom platform and it finally leans toward low gain
Comes later in the signal chain
Phil Jones BG-120B
Phil Jones
14% matchBoss ODB-3 leans this transparent tone toward low gain, which it doesn't make on its own
Comes later in the signal chain
Boss Katana Bass KTN-110B
Boss
14% matchWhat Boss ODB-3 brings here leans toward harmonically rich — that's worth building a pairing around
Comes later in the signal chain