Pedals that stack with the Boss RV-6 Reverb

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator after Boss RV-6 Reverb in the signal chain, where it won't crowd Boss RV-6 Reverb

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run the Phase 90's classic sweep after the RV-6's ethereal, shimmering reverb and the modulation colors the reverb tail directly.

Comes earlier in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)

Catalinbread SFT's warm balances out the bright tone

Comes earlier in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)

Run Greer Mizuki blue after it and the bright edge settles into something more warm

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Boss RV-6 Reverb after Strymon Iridium in the signal chain, clear of Strymon Iridium's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → ambient)

Boss RV-6 Reverb's shimmer voice goes after Boss BF-2 Flanger in the signal chain — it's not there to compete with Boss BF-2 Flanger's own lush character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Boss RV-6 Reverb's shimmer voice goes after Catalinbread SFT Ampeg Inspired Overdrive in the signal chain — it's not there to compete with Catalinbread SFT Ampeg Inspired Overdrive's own warm character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Boss RV-6 Reverb after JHS Fuzz Mary-K in the signal chain, clear of JHS Fuzz Mary-K's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → ambient)

Run Boss RV-6 Reverb after MXR Eric Gales Raw Dawg in the signal chain, clear of MXR Eric Gales Raw Dawg's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Boss RV-6 Reverb's shimmer voice goes after Fuzzrocious Dark Driving V3 in the signal chain — it's not there to compete with Fuzzrocious Dark Driving V3's own dark character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Electronic Audio Experiments Citadel JFet Master Lead's warm voice out front: Boss RV-6 Reverb goes after Electronic Audio Experiments Citadel JFet Master Lead in the signal chain so its shimmer voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Boss RV-6 Reverb's shimmer voice goes after Joyo dark flame in the signal chain — it's not there to compete with Joyo dark flame's own dark character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → ambient)

Put Boss RV-6 Reverb after Tech 21 SansAmp Classic in the signal chain, clear of Tech 21 SansAmp Classic's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Boss RV-6 Reverb's shimmer voice goes after Dunlop MXR M78 Custom Modified OD, also known as the Bad Ass Modified OD in the signal chain — it's not there to compete with Dunlop MXR M78 Custom Modified OD, also known as the Bad Ass Modified OD's own compressed character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Boss RV-6 Reverb's shimmer voice goes after Carl Martin Bass Drive in the signal chain — it's not there to compete with Carl Martin Bass Drive's own harmonically rich character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Boss RV-6 Reverb's shimmer voice goes after Caroline Guitar Company Icarus V2.1 Preamp/Drive in the signal chain — it's not there to compete with Caroline Guitar Company Icarus V2.1 Preamp/Drive's own germanium character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → ambient)

Keep Boss RV-6 Reverb after Blackstar DEPT10DDS Dept.10 Dual Distortion in the signal chain, clear of Blackstar DEPT10DDS Dept.10 Dual Distortion's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → ambient)

Boss RV-6 Reverb's shimmer voice goes after Keeley Electronics Katana Boost in the signal chain — it's not there to compete with Keeley Electronics Katana Boost's own high headroom character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Beetronics Overhive Mid-Gain Overdrive's medium gain voice out front: Boss RV-6 Reverb goes after Beetronics Overhive Mid-Gain Overdrive in the signal chain so its shimmer voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Boss RV-6 Reverb after Blackstar HT-Metal in the signal chain, clear of Blackstar HT-Metal's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Boss RV-6 Reverb after Catalinbread SFT Ampeg Flip-Top Style Overdrive in the signal chain, clear of Catalinbread SFT Ampeg Flip-Top Style Overdrive's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Boss RV-6 Reverb after Pigtronix Philosopher's Rock in the signal chain, where it won't crowd Pigtronix Philosopher's Rock

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Boss RV-6 Reverb after NuX Reissue Analog Chorus in the signal chain, where it won't crowd NuX Reissue Analog Chorus

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Boss RV-6 Reverb after Death By Audio Germanium Filter in the signal chain, clear of Death By Audio Germanium Filter's own gain stage

Comes earlier in the signal chain