Amps that pair well with the Electro-Harmonix Memory Boy Analog Delay

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Electro-Harmonix Memory Boy Analog Delay in Gibson Dual Falcon 20's effects loop, clear of Gibson Dual Falcon 20's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Electro-Harmonix Memory Boy Analog Delay in Traynor SB115's effects loop, clear of Traynor SB115's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Two-Rock Bi-Onyx 50W Head's smooth voice out front: Electro-Harmonix Memory Boy Analog Delay goes in Two-Rock Bi-Onyx 50W Head's effects loop so its analog warmth voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Gallien-Krueger MB-210 II Bass combo 350 watts's high headroom voice out front: Electro-Harmonix Memory Boy Analog Delay goes in Gallien-Krueger MB-210 II Bass combo 350 watts's effects loop so its analog warmth voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Electro-Harmonix Memory Boy Analog Delay's analog warmth voice goes in Morgan PR12 Head Driftwood's effects loop — it's not there to compete with Morgan PR12 Head Driftwood's own dynamic character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Milkman Sound Dairy Air 30W Head's transparent voice out front: Electro-Harmonix Memory Boy Analog Delay goes in Milkman Sound Dairy Air 30W Head's effects loop so its analog warmth voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Electro-Harmonix Memory Boy Analog Delay in Suhr Bella 44-watt Tube Amplifier Head's effects loop, clear of Suhr Bella 44-watt Tube Amplifier Head's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Electro-Harmonix Memory Boy Analog Delay in Crate Flexwave 65's effects loop, clear of Crate Flexwave 65's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Electro-Harmonix Memory Boy Analog Delay in Kustom HV30 Tube's effects loop, clear of Kustom HV30 Tube's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Electro-Harmonix Memory Boy Analog Delay in Carol-Ann OD-2R's effects loop, clear of Carol-Ann OD-2R's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Electro-Harmonix Memory Boy Analog Delay in Gallien-Krueger 112-II Combo's effects loop, clear of Gallien-Krueger 112-II Combo's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Gallien-Krueger GK Legacy 2x10 Combo Bass Amp's mid-forward voice out front: Electro-Harmonix Memory Boy Analog Delay goes in Gallien-Krueger GK Legacy 2x10 Combo Bass Amp's effects loop so its analog warmth voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Electro-Harmonix Memory Boy Analog Delay in Mesa Boogie F-100 2x12 Combo's effects loop, clear of Mesa Boogie F-100 2x12 Combo's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Electro-Harmonix Memory Boy Analog Delay's analog warmth voice goes in Fender Rumble 800's effects loop — it's not there to compete with Fender Rumble 800's own high headroom character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Electro-Harmonix Memory Boy Analog Delay in Trace Elliot ELF 120US's effects loop, clear of Trace Elliot ELF 120US's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Electro-Harmonix Memory Boy Analog Delay in Phil Jones BG-120 Bass Cub Pro 120W 2x5 Bass Combo's effects loop, clear of Phil Jones BG-120 Bass Cub Pro 120W 2x5 Bass Combo's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Electro-Harmonix Memory Boy Analog Delay in Phil Jones BP-800 Bass Pulse 800W Head's effects loop, clear of Phil Jones BP-800 Bass Pulse 800W Head's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Gallien-Krueger MB 112 II Combo's transparent voice out front: Electro-Harmonix Memory Boy Analog Delay goes in Gallien-Krueger MB 112 II Combo's effects loop so its analog warmth voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Electro-Harmonix Memory Boy Analog Delay in Traynor AM Studio's effects loop, clear of Traynor AM Studio's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Electro-Harmonix Memory Boy Analog Delay in Fender Rumble 40 Ivory's effects loop, clear of Fender Rumble 40 Ivory's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Electro-Harmonix Memory Boy Analog Delay in Vox AC30S1 OneTwelve 30W 1x12 Combo's effects loop, clear of Vox AC30S1 OneTwelve 30W 1x12 Combo's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Electro-Harmonix Memory Boy Analog Delay in Roland KC-220's effects loop, clear of Roland KC-220's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Fender FSR Blues Junior IV (Black, Greenback Speaker)'s mid-forward voice out front: Electro-Harmonix Memory Boy Analog Delay goes in Fender FSR Blues Junior IV (Black, Greenback Speaker)'s effects loop so its analog warmth voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Electro-Harmonix Memory Boy Analog Delay's analog warmth voice goes in Gallien-Krueger MB212-II's effects loop — it's not there to compete with Gallien-Krueger MB212-II's own mid-forward character

Comes earlier in the signal chain