The Two-Rock Bi-Onyx 50W Head is a Two-Rock amplifier. Close alternatives include the Two-Rock Gain Master 50 Head and the Mooer Micro PreAmp 010 (Two Rock Coral). It pairs well with the Colorsound Overdriver and the Cusack Music Tap-A-Fuzz.
Two-Rock Bi-Onyx 50W Head
Two-Rock · amplifier
The Two-Rock Bi-Onyx is a dual-channel amplifier designed to give two-channel players a greater degree of independent control than the company's earlier designs, with fully separate controls for the clean and lead channels including EQ, gain, master, reverb, contour and volume boost. Because nothing is shared between the channels, the clean and lead voices can be set completely independently rather than compromising around a common tone stack. It is offered as a 50 or 100 watt head with EL34 output tubes as standard and 6L6 as an option, the EL34s giving a more British midrange character than the 6L6 amps in the Two-Rock range. Channel selection and volume boost are footswitchable. It suits players who need two genuinely distinct sounds from one amplifier.
What stands out
“the two-rock bi-onyx is a dual-channel amplifier designed to give two-channel players a greater degree of independent control than the company”
— from the listing
“the el34s giving a more british midrange character than the 6l6 amps in the two-rock range”
— from the listing
“It is expensive, heavy, and voiced for pristine cleans and smooth gain”
— from the reviews
“Bought specifically for the independent channel control, which is the feature that distinguishes it within the Two-Rock line and the reason it appears in dual-sound rigs”
— from the community notes
“Footswitchable volume boost is regularly mentioned as practical for solos”
— from the community notes
- rock
- british
- smooth
- boost
- gain
- headroom
- pedal platform
- tube
Good for
- Live
- Studio
Genres the Two-Rock Bi-Onyx 50W Head is commonly used in
- Rock
- Blues
- Soul
- Blues Rock
cited
Inferred from shared tonal signals, not a stated genre tag. - Classic Rock
cited
Inferred from shared tonal signals, not a stated genre tag. - Alternative
cited
Inferred from shared tonal signals, not a stated genre tag.
Pedals that stack with the Two-Rock Bi-Onyx 50W Head
Colorsound Overdriver
pedal
21% matchclean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (high headroom → fuzzy)
Run Colorsound Overdriver into that high headroom platform and it finally leans toward fuzzy
Goes in front of the amp
Cusack Music Tap-A-Fuzz
Cusack Music
19% matchclean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (high headroom → fuzzy)
The high headroom tone has headroom to spare — Cusack Music Tap-A-Fuzz leans it toward fuzzy to fill it in
Goes in front of the amp
Catalinbread Katzenkonig
Catalinbread
19% matchclean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (high headroom → fuzzy)
Into a high headroom tone, Catalinbread Katzenkonig brings a pull toward fuzzy that's missing
Goes in front of the amp
Universal Audio 1176 Compressor
Universal Audio
12% matchshapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)
What Universal Audio 1176 Compressor brings here leans toward compressed — that's worth building a pairing around
Goes in front of the amp
Boss BF-2 Flanger
Boss
12% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Boss BF-2 Flanger's lush voice goes after Two-Rock Bi-Onyx 50W Head in the signal chain — it's not there to compete with Two-Rock Bi-Onyx 50W Head's own smooth character
Goes in front of the amp
Electro-Harmonix Canyon
Electro-Harmonix
6% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Put Electro-Harmonix Canyon in Two-Rock Bi-Onyx 50W Head's effects loop, clear of Two-Rock Bi-Onyx 50W Head's own gain stage — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
Electro-Harmonix Memory Boy Analog Delay
Electro-Harmonix
6% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep Two-Rock Bi-Onyx 50W Head's smooth voice out front: Electro-Harmonix Memory Boy Analog Delay goes in Two-Rock Bi-Onyx 50W Head's effects loop so its analog warmth voice doesn't muddy it — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
Electro-Harmonix EH-1335/EH-3075 Hot Tubes
Electro-Harmonix
tonal matchGoes in front of the amp
Electro-Harmonix EH-1335/EH-3075 Hot Tubes's own voicing points at a clean amp's front end, and Two-Rock Bi-Onyx 50W Head delivers it
Alternativessee all similar tone character →
Two-Rock Gain Master 50 Head
Two-Rock
76% similarityShared character: rich harmonic content, benchmark, glassy
Mooer Micro PreAmp 010 (Two Rock Coral)
Mooer
72% similarityMooer Micro PreAmp 010 (Two Rock Coral) recreates this amp's tone in pedal form
Xotic Bass BB Preamp V1.5
Xotic
72% similarityXotic Bass BB Preamp V1.5 recreates this amp's tone in pedal form
DSM Silver Linings Drive Preamp Engine
Dsm Humboldt Electronics
72% similarityDSM Silver Linings Drive Preamp Engine recreates this amp's tone in pedal form
Rowin LEF-315 Dumbler Amp Sim
Rowin
72% similarityRowin LEF-315 Dumbler Amp Sim recreates this amp's tone in pedal form
Two-Rock Classic Reverb 100W Head
Two-Rock
65% similarityShared character: rich harmonic content, benchmark, glassy
Fender Twin Reverb Head
amplifier
52% similarityShared character: glassy, headroom, gain
Matchless Clubman 35
amplifier
50% similarityShared character: glassy, clean
Mesa Boogie Lone Star Head
amplifier
48% similarityShared character: smooth, reverb, clean
Blackstar St. James 50 EL34H Fawn
Blackstar
46% similarityShared character: glassy, boost, clean
Dumble Overdrive Reverb
Dumble
44% similarityShared character: singing, headroom, smooth
DV Mark Raw Dawg EG
Dv Mark
44% similarityShared character: reverb, clean
See all alternatives to the Two-Rock Bi-Onyx 50W Head (cheaper + boutique) →
Questions people ask
What are good alternatives to the Two-Rock Bi-Onyx 50W Head?+
The closest matches in character are the Two-Rock Gain Master 50 Head, the Mooer Micro PreAmp 010 (Two Rock Coral), the Xotic Bass BB Preamp V1.5.
What pairs well with the Two-Rock Bi-Onyx 50W Head?+
Strong matches from rig and tone-complementarity evidence: Colorsound Overdriver, Cusack Music Tap-A-Fuzz, Catalinbread Katzenkonig — Run Colorsound Overdriver into that high headroom platform and it finally leans toward fuzzy.
Compare
- vs Two-Rock Classic Reverb Signature 6V6 40W Head
- vs Two-Rock Bloomfield Drive 6L6 100W Head
- vs Laney Ironheart Foundry Dualtop 2-Channel 60W Head