Pedals that stack with the Electro-Harmonix Memory Boy Analog Delay

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Electro-Harmonix Memory Boy Analog Delay after JAM Boomster mk2 in the signal chain, clear of JAM Boomster mk2's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep ThorpyFX TY-Kudu's transparent voice out front: Electro-Harmonix Memory Boy Analog Delay goes after ThorpyFX TY-Kudu in the signal chain so its analog warmth voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Electro-Harmonix Memory Boy Analog Delay after Fender Bassman Compressor in the signal chain, where it won't crowd Fender Bassman Compressor

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Electro-Harmonix Memory Boy Analog Delay after Wampler Hot Wired V1 in the signal chain, clear of Wampler Hot Wired V1's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Electro-Harmonix Memory Boy Analog Delay after One Control Granith Grey Booster V2 in the signal chain, clear of One Control Granith Grey Booster V2's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Electro-Harmonix Memory Boy Analog Delay after MXR Super Comp M132 in the signal chain, where it won't crowd MXR Super Comp M132

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Electro-Harmonix Memory Boy Analog Delay after MXR Super Comp M132 in the signal chain, where it won't crowd MXR Super Comp M132

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Electro-Harmonix Memory Boy Analog Delay after Old Blood Noise Endeavors Black Bobbin Boost in the signal chain, clear of Old Blood Noise Endeavors Black Bobbin Boost's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Electro-Harmonix Memory Boy Analog Delay after T-Rex Neo Comp Compressor in the signal chain, where it won't crowd T-Rex Neo Comp Compressor

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Electro-Harmonix Memory Boy Analog Delay after Demon FX Optocoupler Bass Compressor Just in the signal chain, where it won't crowd Demon FX Optocoupler Bass Compressor Just

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Electro-Harmonix Memory Boy Analog Delay after Fortin Amplification Fourteen dual boost in the signal chain, clear of Fortin Amplification Fourteen dual boost's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Electro-Harmonix Memory Boy Analog Delay after SolidGoldFX Compression Machine in the signal chain, where it won't crowd SolidGoldFX Compression Machine

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Electro-Harmonix Memory Boy Analog Delay after Vox TG1-FL4BT Flat 4 Boost in the signal chain, clear of Vox TG1-FL4BT Flat 4 Boost's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Electro-Harmonix Memory Boy Analog Delay after Hudson Electronics Sidecar in the signal chain, clear of Hudson Electronics Sidecar's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Electro-Harmonix Memory Boy Analog Delay after Greer Mizuki Blr in the signal chain, clear of Greer Mizuki Blr's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Electro-Harmonix Memory Boy Analog Delay after J. Rockett Lenny Overdrive in the signal chain, clear of J. Rockett Lenny Overdrive's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Electro-Harmonix Memory Boy Analog Delay after Carl Martin CM0026 PlexiRanger Overdrive in the signal chain, clear of Carl Martin CM0026 PlexiRanger Overdrive's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Electro-Harmonix Memory Boy Analog Delay after J. Rockett Jrad Squeegee Compressor in the signal chain, where it won't crowd J. Rockett Jrad Squeegee Compressor

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Electro-Harmonix Memory Boy Analog Delay's analog warmth voice goes after Cusack Music More Louder in the signal chain — it's not there to compete with Cusack Music More Louder's own clean boost character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Electro-Harmonix Memory Boy Analog Delay after JAM Pedals Boomster in the signal chain, clear of JAM Pedals Boomster's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Electro-Harmonix Memory Boy Analog Delay's analog warmth voice goes after EarthQuaker Devices Tone Job V2 in the signal chain — it's not there to compete with EarthQuaker Devices Tone Job V2's own clean boost character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Electro-Harmonix Memory Boy Analog Delay's analog warmth voice goes after Donner Blues Drive in the signal chain — it's not there to compete with Donner Blues Drive's own mid-forward character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Electro-Harmonix Memory Boy Analog Delay's analog warmth voice goes after NOC Pedals Songs for the Decade Preamp in the signal chain — it's not there to compete with NOC Pedals Songs for the Decade Preamp's own low gain character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Electro-Harmonix Nano Soul Preacher's compressed voice out front: Electro-Harmonix Memory Boy Analog Delay goes after Electro-Harmonix Nano Soul Preacher in the signal chain so its analog warmth voice doesn't muddy it

Comes earlier in the signal chain