The Browne Amplification Ethane is a Browne Amplification distortion pedal. Close alternatives include the Browne Amplification Gritador and the Boss OD-1 Overdrive. It pairs well with the Friedman Dirty Shirley and the Laney Ironheart Foundry Leadtop 60W Head.
Browne Amplification Ethane
Browne Amplification · pedal
The Browne Amplification Ethane Dual Overdrive combines the Carbon V2 Bluesbreaker-style overdrive with the Gritador Tube Screamer-style overdrive in a single enclosure, created in collaboration with Andertons Music. The Carbon V2 side delivers sparkling boost through warm crunch with a high-cut toggle, while the Gritador side provides a reworked Tube Screamer voicing with balanced midrange, robust low end, and asymmetrical clipping for a lively, vocal character. Both channels can be used independently or stacked for layered overdrive. Made in Kansas City, USA.
What stands out
“Both channels can be used independently or stacked for layered overdrive”
— from the listing
“The Carbon V2 side delivers sparkling boost through warm crunch with a high-cut toggle, while the Gritador side provides a reworked Tube Screamer voicing with balanced midrange, robust low end, and asymmetrical clipping for a lively, vocal …”
— from the listing
“Dual-overdrive combining Carbon V2 Bluesbreaker and Gritador Tube Screamer into a single unit, offering complementary overdrive voices covering clean boost through warm crunch and TS-style mid-driven overdrive, with stack option”
— from the community notes
“The asymmetrical Gritador clipping adds a lively feel when both channels run together”
— from the reviews
“Carbon V2 typically operates as the first-in-chain boost/lower-gain voice; Gritador adds the TS-style mid push and higher gain character when stacked on top”
— from the community notes
- overdrive
- low end
- midrange
- clean boost
- clipping
- crunch
- balanced
- asymmetrical
Genres the Browne Amplification Ethane is commonly used in
- Indie Rock
- Blues
- Country
- Alternative
cited
Inferred from shared tonal signals, not a stated genre tag. - Rock
cited
Inferred from shared tonal signals, not a stated genre tag. - Blues Rock
cited
Inferred from shared tonal signals, not a stated genre tag.
Amps that pair well with the Browne Amplification Ethane
Friedman Dirty Shirley
Friedman
29% matchgain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → high gain)
Friedman Dirty Shirley stacks high gain on top of the mid-forward already here
Comes later in the signal chain
Laney Ironheart Foundry Leadtop 60W Head
Laney
29% matchgain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → high gain)
Put Laney Ironheart Foundry Leadtop 60W Head in front and the mid-forward tone leans further toward high gain
Comes later in the signal chain
Mesa/Boogie JP-2C John Petrucci Signature 60/100-Watt
Mesa Boogie
tonal matchComes later in the signal chain
Mesa/Boogie JP-2C John Petrucci Signature 60/100-Watt stacks high gain on top of the mid-forward already here
Marshall Studio JCM900 SN20H
Marshall
tonal matchComes later in the signal chain
Marshall Studio JCM900 SN20H stacks high gain on top of the mid-forward already here
Friedman BE-Mini Head
Friedman
tonal matchComes later in the signal chain
Put Friedman BE-Mini Head in front and the mid-forward tone leans further toward high gain
Hughes & Kettner Warp 7
Hughes & Kettner
tonal matchComes later in the signal chain
Run mid-forward into Hughes & Kettner Warp 7 for more high gain on top
Hughes & Kettner Coreblade
Hughes & Kettner
tonal matchComes later in the signal chain
Hughes & Kettner Coreblade stacks high gain on top of the mid-forward already here
Egnater Tourmaster Combo 4212
Egnater
tonal matchComes later in the signal chain
Egnater Tourmaster Combo 4212 stacks high gain on top of the mid-forward already here
Pedals that stack with the Browne Amplification Ethane
Fjord Fuzz Berserk
Fjord Fuzz
20% matchgain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → fuzzy)
Fjord Fuzz Berserk stacks fuzzy on top of the mid-forward already here
Comes later in the signal chain
EarthQuaker Devices Dirt Transmitter
EarthQuaker Devices
20% matchgain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → fuzzy)
Run mid-forward into EarthQuaker Devices Dirt Transmitter for more fuzzy on top
Comes earlier in the signal chain
Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator
pedal
12% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Run Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator after Browne Amplification Ethane in the signal chain, clear of Browne Amplification Ethane's own gain stage
Comes later in the signal chain
Wren and Cuff Gold Comp
Wren And Cuff
10% matchshapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.
What Browne Amplification Ethane brings here leans toward full — that's worth building a pairing around
Comes earlier in the signal chain
Caroline Guitar Company Kilobyte
Caroline Guitar Company
8% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep Caroline Guitar Company Kilobyte after Browne Amplification Ethane in the signal chain, clear of Browne Amplification Ethane's own gain stage — goes in the amp's FX loop (or last, into a clean amp)
Comes later in the signal chain
Walrus Audio Fable
Walrus Audio
8% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep Walrus Audio Fable after Browne Amplification Ethane in the signal chain, clear of Browne Amplification Ethane's own gain stage — goes in the amp's FX loop (or last, into a clean amp)
Comes later in the signal chain
Dr. Scientist Frazz Dazzler V2
Dr Scientist
tonal matchComes later in the signal chain
Put Dr. Scientist Frazz Dazzler V2 in front and the mid-forward tone leans further toward fuzzy
Death By Audio Destruction
Death By Audio
tonal matchComes later in the signal chain
Death By Audio Destruction layers fuzzy onto an already mid-forward signal
Alternativessee all similar tone character →
Browne Amplification Gritador
Browne Amplification
65% similarityShared character: vocal, middle, crunch
Boss OD-1 Overdrive
Boss
60% similarityShared character: high gain settings, boost, warm
J. Rockett Archer
pedal
58% similarityShared character: high gain settings, gold sparkle, vocal
Wampler Tumnus
Wampler
58% similarityShared character: high gain settings, boost, middle
Ibanez TS9 Tube Screamer
Ibanez
58% similarityShared character: high gain settings, boost, middle
Ibanez Tube Screamer
Ibanez
57% similarity“combines the Carbon V2 Bluesbreaker-style overdrive with the Gritador Tube Screamer-style overdrive in a single enclosure”
Mythos Air Lane Drive
Mythos
57% similarityShared character: two channels, boost, overdrive
Ibanez Tube Screamer Mini
Ibanez
57% similarityShared character: high gain settings, middle, boost
Warm Audio Tube Squealer
Warm Audio
57% similarityShared character: boost, clarity, gain
MXR Super Badass Distortion
MXR
57% similarityShared character: high gain settings, boost, middle
Browne Amplification Carbon
Browne Amplification
57% similarityShared character: high gain settings, boost, crunch
Boss SD-1 Super OverDrive
Boss
57% similarityShared character: high gain settings, boost, middle
See all alternatives to the Browne Amplification Ethane (cheaper + boutique) →
Questions people ask
What are good alternatives to the Browne Amplification Ethane?+
The closest matches in character are the Browne Amplification Gritador, the Boss OD-1 Overdrive, the J. Rockett Archer.
What pairs well with the Browne Amplification Ethane?+
Strong matches from rig and tone-complementarity evidence: Friedman Dirty Shirley, Laney Ironheart Foundry Leadtop 60W Head, Mesa/Boogie JP-2C John Petrucci Signature 60/100-Watt — Friedman Dirty Shirley stacks high gain on top of the mid-forward already here.