Pedals that stack with the Brunetti Metropolitan Combo
← everything about the Brunetti Metropolitan Combo
All 7 ranked by how well they pair, from rig co-occurrence and tone-complementarity evidence
Friedman BE-OD
Friedman
18% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → smooth)
Friedman BE-OD's own voicing points at a clean amp's front end, and Brunetti Metropolitan Combo delivers it
Goes in front of the amp
J. Rockett Archer Ikon
J Rockett
17% matchshapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)
J. Rockett Archer Ikon leans this dynamic tone toward compressed, which it doesn't make on its own
Goes in front of the amp
JAM Pedals Tubedreamer
Jam Pedals
17% matchshapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)
Run JAM Pedals Tubedreamer into that dynamic platform and it finally leans toward compressed
Goes in front of the amp
HomeBrew Electronics CPR Compressor Retro
Homebrew
15% matchshapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)
HomeBrew Electronics CPR Compressor Retro's compressed voice suits Brunetti Metropolitan Combo's own dynamic character
Goes in front of the amp
MXR Flanger
MXR
11% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep MXR Flanger after Brunetti Metropolitan Combo in the signal chain, clear of Brunetti Metropolitan Combo's own gain stage
Goes in front of the amp
Strymon TimeLine
Strymon
7% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep Strymon TimeLine in Brunetti Metropolitan Combo's effects loop, clear of Brunetti Metropolitan Combo's own gain stage — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
JAM Pedals Delay-Llama
Jam Pedals
7% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Put JAM Pedals Delay-Llama in Brunetti Metropolitan Combo's effects loop, clear of Brunetti Metropolitan Combo's own gain stage — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop