Pedals that stack with the Caroline Guitar Company Kilobyte

Ibanez Tube Screamer

Push the Screamer's mid-hump into the Kilobyte's own echo circuit and the repeats pick up a warmer, slightly driven edge.

Ashdown Geezer Butler Signature

The Geezer Butler's doom-heavy bass distortion adds real low-end grit that the Kilobyte's own delay character doesn't have on its own.

Walrus Audio Lillian

The Lillian's subtle analog phasing follows the Kilobyte's digital and analog delay for layered, ambient motion.

Voodoo Lab Tremolo

Add the Voodoo Lab's tremolo pulse after the Kilobyte's own warm delay for rhythmic motion on top of the repeats.

Tech 21 SansAmp

Keep the Kilobyte after the SansAmp — the DI'd amp character stays intact and the delay just repeats what's already there.

Keeley Super Phat Mod

Send the Super Phat Mod's full, compressed overdrive into the Kilobyte and its lo-fi echoes repeat a signal that's already thick, not thin.

Keeley Muse Driver

The Muse Driver's asymmetrical clipping gives the Kilobyte's digital delay a driven signal with real harmonic complexity to repeat, not just raw gain.

MXR 108 Fuzz

Keep the Kilobyte's delay after the 108 Fuzz's bright, cutting silicon attack so each fuzzy repeat stays defined instead of collapsing into mush.

Tru-Fi Rat Pack Compact

Put Caroline Guitar Company Kilobyte after Tru-Fi Rat Pack Compact in the signal chain, clear of Tru-Fi Rat Pack Compact's own gain stage

BLAXX EQ5B 5-Band Equalizer

Keep Caroline Guitar Company Kilobyte after BLAXX EQ5B 5-Band Equalizer in the signal chain, clear of BLAXX EQ5B 5-Band Equalizer's own gain stage

Xotic ACB-V2

Run Caroline Guitar Company Kilobyte after Xotic ACB-V2 in the signal chain, clear of Xotic ACB-V2's own gain stage

Dallas Tuxedo Treble Booster

Run Caroline Guitar Company Kilobyte after Dallas Tuxedo Treble Booster in the signal chain, clear of Dallas Tuxedo Treble Booster's own gain stage

Tech 21 DP-3X Dug Pinnick Signature Bass Distortion

Keep Caroline Guitar Company Kilobyte after Tech 21 DP-3X Dug Pinnick Signature Bass Distortion in the signal chain, clear of Tech 21 DP-3X Dug Pinnick Signature Bass Distortion's own gain stage

Acorn Amplifiers Solid State Preamp

Keep the Kilobyte after the Acorn preamp — the wiry, tight stage drive stays defined and the delay's warm digital repeats trail behind it.

Rocktron Hush Noise Gate

Keep Rocktron Hush Noise Gate's bright voice out front: Caroline Guitar Company Kilobyte goes after Rocktron Hush Noise Gate in the signal chain so its pristine voice doesn't muddy it

Pigtronix Philosopher's Tone Micro

Compress with the Philosopher's Tone Micro before the Kilobyte and the delay repeats an evenly sustained signal instead of one with sudden dynamic swings.

Hornby Skewes Treble Booster

Put Caroline Guitar Company Kilobyte after Hornby Skewes Treble Booster in the signal chain, clear of Hornby Skewes Treble Booster's own gain stage

Suhr Shiba Mini Overdrive

Put Caroline Guitar Company Kilobyte after Suhr Shiba Mini Overdrive in the signal chain, clear of Suhr Shiba Mini Overdrive's own gain stage

Browne Amplification Carbon

The Kilobyte's digital and analog delay modes trail the Carbon's warm, clean-boosted crunch into a layered echo.

Tone City Noisy Boy

Put Caroline Guitar Company Kilobyte after Tone City Noisy Boy in the signal chain, clear of Tone City Noisy Boy's own gain stage

Electronic Audio Experiments Longsword V4.5

Push the Longsword's baritone-voiced crunch into the Kilobyte and the digital repeats carry that low-end weight instead of thinning it out.

Boss DS-1X

Keep Caroline Guitar Company Kilobyte after Boss DS-1X in the signal chain, clear of Boss DS-1X's own gain stage

Artec SE-Peq Parametric Equalizer

Keep the Kilobyte's digital echoes trailing after the SE-Peq's parametric EQ, not before, or the delay repeats an unshaped signal.

Boss ML-2

Keep Boss ML-2's transparent voice out front: Caroline Guitar Company Kilobyte goes after Boss ML-2 in the signal chain so its pristine voice doesn't muddy it