IdiotBox Effects End of Line

Fender Prosonic

Run the End of Line's experimental, noise-rock tremolo after the Prosonic's warm, responsive overdrive and the modulation has real teeth to color.

Dumble Steel String Singer

Dumble Steel String Singer's smooth balances out the bright tone

Peavey 5150 120-Watt Head

The End of Line's tremolo pulses cut through the 5150's dense metal distortion when placed after the amp's own gain stage.

Gibson EH-150

Add the End of Line's noisy, experimental pulse on top of the EH-150's own mellow, warm jazz breakup for something stranger than either alone.

Aguilar Tone Hammer 500 Bass Amp 30th

Add the End of Line's noisy, experimental pulse on top of the Tone Hammer 500's own warm, jazz-voiced midrange for something stranger.

Ampeg BA300

Run End of Line's experimental, noisy pulse after the BA300's own warm, compressed preamp settles, so the modulation moves a defined tone.

Orange Terror Bass

Keep IdiotBox Effects End of Line after Orange Terror Bass in the signal chain, clear of Orange Terror Bass's own gain stage

Orange Little Bass Thing

Run IdiotBox Effects End of Line after Orange Little Bass Thing in the signal chain, clear of Orange Little Bass Thing's own gain stage

One Control Lingonberry Overdrive

Run the End of Line's experimental, noise-rock modulation after the Lingonberry's musical, blues-voiced overdrive and it has real gain to color.

Dunlop - MXR Carbon Copy Deluxe Analog Delay

The End of Line's experimental modulation follows the Carbon Copy Deluxe's warm, stereo analog delay for layered texture. — goes in the amp's FX loop (or last, into a clean amp)

Caroline Guitar Company Meteore

The End of Line's experimental modulation follows the Meteore's warm, spring-style reverb for layered texture. — goes in the amp's FX loop (or last, into a clean amp)

Electro-Harmonix Memory Boy Analog Delay

Run the End of Line's experimental, noise-rock tremolo after the Memory Boy's warm analog echo and the modulation pulses right on top of the repeats. — goes in the amp's FX loop (or last, into a clean amp)

Boss DD-7 Digital Delay

Run the End of Line's experimental, noise-rock tremolo after the DD-7's reliable digital repeats and the modulation pulses right on top of the echoes. — goes in the amp's FX loop (or last, into a clean amp)

Catalinbread Belle Epoch

Run the End of Line's experimental, noise-rock tremolo after the Belle Epoch's tape-voiced repeats and the modulation pulses right on top of the echoes. — goes in the amp's FX loop (or last, into a clean amp)

Caroline Guitar Company Icarus

Run the End of Line's experimental, noise-rock tremolo after the Icarus' warm germanium-silicon boost and the pulse rides on real saturation.

Walrus Audio Bellwether Stereo Analog Delay

Bellwether's warm analog delay and End of Line's experimental tremolo both live in the modulation category — pair them for chopped, echoing texture. — goes in the amp's FX loop (or last, into a clean amp)