Pedals that stack with the IdiotBox Effects End of Line

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

The End of Line's experimental modulation follows the Carbon Copy Deluxe's warm, stereo analog delay for layered texture. — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

The End of Line's experimental modulation follows the Kilobyte's digital and analog delay for layered texture. — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

The End of Line's experimental modulation follows the Meteore's warm, spring-style reverb for layered texture. — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep IdiotBox Effects End of Line after Echoplex EP-3 in the signal chain, where it won't crowd Echoplex EP-3 — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run the End of Line's experimental, noise-rock tremolo after the DD-7's reliable digital repeats and the modulation pulses right on top of the echoes. — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run the End of Line's experimental, noise-rock tremolo after the Memory Boy's warm analog echo and the modulation pulses right on top of the repeats. — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Suhr Discovery's warm voice out front: IdiotBox Effects End of Line goes after Suhr Discovery in the signal chain so its bright voice doesn't muddy it — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run the End of Line's experimental, noise-rock tremolo after the Icarus' warm germanium-silicon boost and the pulse rides on real saturation.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Bellwether's warm analog delay and End of Line's experimental tremolo both live in the modulation category — pair them for chopped, echoing texture. — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run the End of Line's experimental, cutting tremolo after the Modulated Delay's warm, pitch-wobbled repeats so the modulation chops the echoes instead of the dry signal. — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run the End of Line's choppy tremolo after the AD-9's analog repeats so the pulse chops the echoes, not the dry signal. — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

SansAmp Bass Driver's studio-grade DI drive feeds End of Line's noise-rock tremolo, gain first, chopped modulation after.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run IdiotBox Effects End of Line after Dunlop Echoplex All-Analog Dry Path Delay in the signal chain, where it won't crowd Dunlop Echoplex All-Analog Dry Path Delay — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

IdiotBox Effects End of Line's bright voice goes after Dunlop EP103 Echoplex Delay in the signal chain — it's not there to compete with Dunlop EP103 Echoplex Delay's own analog warmth character — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put IdiotBox Effects End of Line after Red Witch Titan in the signal chain, where it won't crowd Red Witch Titan — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Chandler DDL Delay's pristine voice out front: IdiotBox Effects End of Line goes after Chandler DDL Delay in the signal chain so its bright voice doesn't muddy it — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put IdiotBox Effects End of Line after Universal Audio Starlight Echo Station in the signal chain, where it won't crowd Universal Audio Starlight Echo Station — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Electro-Harmonix Nano Memory Toy's analog warmth voice out front: IdiotBox Effects End of Line goes after Electro-Harmonix Nano Memory Toy in the signal chain so its bright voice doesn't muddy it — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run IdiotBox Effects End of Line after T-Rex Junior Roomate in the signal chain, where it won't crowd T-Rex Junior Roomate — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put IdiotBox Effects End of Line after TC Electronic Echobrain Analog Delay Effetto Delay A in the signal chain, where it won't crowd TC Electronic Echobrain Analog Delay Effetto Delay A — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

IdiotBox Effects End of Line's bright voice goes after EarthQuaker Devices Space Spiral in the signal chain — it's not there to compete with EarthQuaker Devices Space Spiral's own modulated character — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

IdiotBox Effects End of Line's bright voice goes after FoxGear EchoSex in the signal chain — it's not there to compete with FoxGear EchoSex's own ambient character — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep EarthQuaker Devices Time Shadows V2's analog warmth voice out front: IdiotBox Effects End of Line goes after EarthQuaker Devices Time Shadows V2 in the signal chain so its bright voice doesn't muddy it — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run IdiotBox Effects End of Line after Tru-Fi The Aqua Echo 600 Analog in the signal chain, where it won't crowd Tru-Fi The Aqua Echo 600 Analog — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain