Pedals that stack with the IdiotBox Effects End of Line

One Control Lingonberry Overdrive

Run the End of Line's experimental, noise-rock modulation after the Lingonberry's musical, blues-voiced overdrive and it has real gain to color.

Dunlop - MXR Carbon Copy Deluxe Analog Delay

The End of Line's experimental modulation follows the Carbon Copy Deluxe's warm, stereo analog delay for layered texture. — goes in the amp's FX loop (or last, into a clean amp)

Caroline Guitar Company Meteore

The End of Line's experimental modulation follows the Meteore's warm, spring-style reverb for layered texture. — goes in the amp's FX loop (or last, into a clean amp)

Electro-Harmonix Memory Boy Analog Delay

Run the End of Line's experimental, noise-rock tremolo after the Memory Boy's warm analog echo and the modulation pulses right on top of the repeats. — goes in the amp's FX loop (or last, into a clean amp)

Boss DD-7 Digital Delay

Run the End of Line's experimental, noise-rock tremolo after the DD-7's reliable digital repeats and the modulation pulses right on top of the echoes. — goes in the amp's FX loop (or last, into a clean amp)

Catalinbread Belle Epoch

Run the End of Line's experimental, noise-rock tremolo after the Belle Epoch's tape-voiced repeats and the modulation pulses right on top of the echoes. — goes in the amp's FX loop (or last, into a clean amp)

Caroline Guitar Company Icarus

Run the End of Line's experimental, noise-rock tremolo after the Icarus' warm germanium-silicon boost and the pulse rides on real saturation.

Walrus Audio Bellwether Stereo Analog Delay

Bellwether's warm analog delay and End of Line's experimental tremolo both live in the modulation category — pair them for chopped, echoing texture. — goes in the amp's FX loop (or last, into a clean amp)

Maxon AD-9 Pro Analog Delay

Run the End of Line's choppy tremolo after the AD-9's analog repeats so the pulse chops the echoes, not the dry signal. — goes in the amp's FX loop (or last, into a clean amp)

Tech 21 SansAmp Bass Driver DI V2

SansAmp Bass Driver's studio-grade DI drive feeds End of Line's noise-rock tremolo, gain first, chopped modulation after.

Spaceman Atlas III

Let the End of Line's tremolo chop trail the Atlas III's harmonically rich drive for a pulsing, boutique-flavored finish.

Dunlop Echoplex All-Analog Dry Path Delay

Run IdiotBox Effects End of Line after Dunlop Echoplex All-Analog Dry Path Delay in the signal chain, clear of Dunlop Echoplex All-Analog Dry Path Delay's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Dunlop EP103 Echoplex Delay

IdiotBox Effects End of Line's bright voice goes after Dunlop EP103 Echoplex Delay in the signal chain — it's not there to compete with Dunlop EP103 Echoplex Delay's own analog warmth character — goes in the amp's FX loop (or last, into a clean amp)

Dunlop Echoplex Preamp

Keep Dunlop Echoplex Preamp's smooth voice out front: IdiotBox Effects End of Line goes after Dunlop Echoplex Preamp in the signal chain so its bright voice doesn't muddy it

Universal Audio Starlight Echo Station

Put IdiotBox Effects End of Line after Universal Audio Starlight Echo Station in the signal chain, clear of Universal Audio Starlight Echo Station's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

FoxGear EchoSex

IdiotBox Effects End of Line's bright voice goes after FoxGear EchoSex in the signal chain — it's not there to compete with FoxGear EchoSex's own ambient character — goes in the amp's FX loop (or last, into a clean amp)

Fuzz Face Dunlop Jimi Hendrix Fuzz Face Mini

Put IdiotBox Effects End of Line after Fuzz Face Dunlop Jimi Hendrix Fuzz Face Mini in the signal chain, clear of Fuzz Face Dunlop Jimi Hendrix Fuzz Face Mini's own gain stage

Catalinbread SFT

Run Catalinbread SFT after it and the bright edge settles into something more warm

Rowin LEF-315 Dumbler Amp Sim

Keep IdiotBox Effects End of Line after Rowin LEF-315 Dumbler Amp Sim in the signal chain, clear of Rowin LEF-315 Dumbler Amp Sim's own gain stage

Behringer VD400 Vintage Analog Delay

Run IdiotBox Effects End of Line after Behringer VD400 Vintage Analog Delay in the signal chain, clear of Behringer VD400 Vintage Analog Delay's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Strymon Brig echo Compact

Keep IdiotBox Effects End of Line after Strymon Brig echo Compact in the signal chain, clear of Strymon Brig echo Compact's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

JAM Pedals Delay Llama Mk.3

Keep IdiotBox Effects End of Line after JAM Pedals Delay Llama Mk.3 in the signal chain, clear of JAM Pedals Delay Llama Mk.3's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Old Blood Noise Endeavors Fault V1

Put the End of Line after the Fault so its tremolo chop works on an already-saturated, boutique-driven tone.

Donner White Tape

Put IdiotBox Effects End of Line after Donner White Tape in the signal chain, clear of Donner White Tape's own gain stage — goes in the amp's FX loop (or last, into a clean amp)