Pedals that stack with the IdiotBox Effects End of Line

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put IdiotBox Effects End of Line after Donner White Tape in the signal chain, where it won't crowd Donner White Tape — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run IdiotBox Effects End of Line after J. Rockett Immortal Echo in the signal chain, where it won't crowd J. Rockett Immortal Echo — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep IdiotBox Effects End of Line after Strymon Brig echo Compact in the signal chain, where it won't crowd Strymon Brig echo Compact — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run IdiotBox Effects End of Line after Dunlop Way Huge WHE701 Aqua Puss in the signal chain, where it won't crowd Dunlop Way Huge WHE701 Aqua Puss — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put IdiotBox Effects End of Line after Suhr Dark Discovery Analog Delay in the signal chain, where it won't crowd Suhr Dark Discovery Analog Delay — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep IdiotBox Effects End of Line after One Control Sea Turquoise Delay V2 in the signal chain, where it won't crowd One Control Sea Turquoise Delay V2 — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep IdiotBox Effects End of Line after Lovepedal Echo Baby Powder Blue in the signal chain, where it won't crowd Lovepedal Echo Baby Powder Blue — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put IdiotBox Effects End of Line after J. Rockett Clockwork Echo in the signal chain, where it won't crowd J. Rockett Clockwork Echo — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run IdiotBox Effects End of Line after Visual Sound GarageTone Axle Grease in the signal chain, where it won't crowd Visual Sound GarageTone Axle Grease — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

IdiotBox Effects End of Line's bright voice goes after J. Rockett Alien Echo in the signal chain — it's not there to compete with J. Rockett Alien Echo's own analog warmth character — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

IdiotBox Effects End of Line's bright voice goes after Death By Audio Echo Master Black Plate in the signal chain — it's not there to compete with Death By Audio Echo Master Black Plate's own analog warmth character — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

IdiotBox Effects End of Line's bright voice goes after Ibanez AD Mini in the signal chain — it's not there to compete with Ibanez AD Mini's own analog warmth character — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Benson Amps Tall Bird Plus's spring voice out front: IdiotBox Effects End of Line goes after Benson Amps Tall Bird Plus in the signal chain so its bright voice doesn't muddy it — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep IdiotBox Effects End of Line after Old Blood Noise Endeavors Black Fountain in the signal chain, where it won't crowd Old Blood Noise Endeavors Black Fountain — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

IdiotBox Effects End of Line's bright voice goes after NuX Reissue Series Analog Delay in the signal chain — it's not there to compete with NuX Reissue Series Analog Delay's own analog warmth character — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

IdiotBox Effects End of Line's bright voice goes after Walrus Audio Meraki in the signal chain — it's not there to compete with Walrus Audio Meraki's own modulated character — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

IdiotBox Effects End of Line's bright voice goes after DigiTech DOD Gunslinger Mosfet Distortion in the signal chain — it's not there to compete with DigiTech DOD Gunslinger Mosfet Distortion's own harmonically rich character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run IdiotBox Effects End of Line after Behringer VD400 Vintage Analog Delay in the signal chain, where it won't crowd Behringer VD400 Vintage Analog Delay — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put IdiotBox Effects End of Line after Lovepedal Echo Baby in the signal chain, where it won't crowd Lovepedal Echo Baby — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Dunlop JIM Dunlop JH-M8 Jimi Hendrix Gypsy's germanium voice out front: IdiotBox Effects End of Line goes after Dunlop JIM Dunlop JH-M8 Jimi Hendrix Gypsy in the signal chain so its bright voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

IdiotBox Effects End of Line's bright voice goes after Matthews Effects The Surgeon Delay V2 in the signal chain — it's not there to compete with Matthews Effects The Surgeon Delay V2's own ambient character — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep IdiotBox Effects End of Line after EarthQuaker Devices Silos Multi-Generational Time Reflection in the signal chain, where it won't crowd EarthQuaker Devices Silos Multi-Generational Time Reflection — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Walrus Audio Fable's smooth voice goes after IdiotBox Effects End of Line in the signal chain — it's not there to compete with IdiotBox Effects End of Line's own bright character — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Death By Audio Echo Master's analog warmth voice out front: IdiotBox Effects End of Line goes after Death By Audio Echo Master in the signal chain so its bright voice doesn't muddy it — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain