Pedals that stack with the IdiotBox Effects End of Line

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put IdiotBox Effects End of Line after Wampler Metaverse in the signal chain, where it won't crowd Wampler Metaverse — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep IdiotBox Effects End of Line after Rarebird effects Transformer Preamp 63 in the signal chain, clear of Rarebird effects Transformer Preamp 63's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep IdiotBox Effects End of Line after Hungry Robot BD LT in the signal chain, where it won't crowd Hungry Robot BD LT — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put IdiotBox Effects End of Line after Chase Bliss Tonal Recall Red Knob in the signal chain, where it won't crowd Chase Bliss Tonal Recall Red Knob — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep IdiotBox Effects End of Line after Subdecay EchoBox in the signal chain, where it won't crowd Subdecay EchoBox — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

IdiotBox Effects End of Line's bright voice goes after Death By Audio Micro Dream in the signal chain — it's not there to compete with Death By Audio Micro Dream's own warm character — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep IdiotBox Effects End of Line after Mad Professor Simble Predriver in the signal chain, clear of Mad Professor Simble Predriver's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run IdiotBox Effects End of Line after Walrus Audio WAL-385/MK2 #BK in the signal chain, clear of Walrus Audio WAL-385/MK2 #BK's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Alexander Pedals Amnesia Delay's dark voice out front: IdiotBox Effects End of Line goes after Alexander Pedals Amnesia Delay in the signal chain so its bright voice doesn't muddy it — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put IdiotBox Effects End of Line after Walrus Audio Mako Series D1 V2 in the signal chain, where it won't crowd Walrus Audio Mako Series D1 V2 — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put IdiotBox Effects End of Line after Hungry Robot Karman Line Delay in the signal chain, where it won't crowd Hungry Robot Karman Line Delay — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

IdiotBox Effects End of Line's bright voice goes after TC Electronic Vintage Dual Distortion in the signal chain — it's not there to compete with TC Electronic Vintage Dual Distortion's own warm character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

IdiotBox Effects End of Line's bright voice goes after SolidGoldFX Beta-V in the signal chain — it's not there to compete with SolidGoldFX Beta-V's own modulated character

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run IdiotBox Effects End of Line after Strymon Fairfax Preamp in the signal chain, clear of Strymon Fairfax Preamp's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put IdiotBox Effects End of Line after Catalinbread SFT: Sapphire in the signal chain, clear of Catalinbread SFT: Sapphire's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run IdiotBox Effects End of Line after Binson Echorec Delay in the signal chain, where it won't crowd Binson Echorec Delay — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put IdiotBox Effects End of Line after Friedman Motor City Drive Overdrive in the signal chain, clear of Friedman Motor City Drive Overdrive's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run IdiotBox Effects End of Line after DOD Rubberneck Analog Delay in the signal chain, where it won't crowd DOD Rubberneck Analog Delay — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

IdiotBox Effects End of Line's bright voice goes after Maxon AD-999 in the signal chain — it's not there to compete with Maxon AD-999's own analog warmth character — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run IdiotBox Effects End of Line after Mooer Ana Echo in the signal chain, where it won't crowd Mooer Ana Echo — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put IdiotBox Effects End of Line after Donner Yellow Fall in the signal chain, where it won't crowd Donner Yellow Fall — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Greer Amps White Tomahawk Deluxe Drive's harmonically rich voice out front: IdiotBox Effects End of Line goes after Greer Amps White Tomahawk Deluxe Drive in the signal chain so its bright voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep IdiotBox Effects End of Line after Boss Effetto Boss DM 101 Delay Machine in the signal chain, where it won't crowd Boss Effetto Boss DM 101 Delay Machine — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run IdiotBox Effects End of Line after Fairfield Circuitry Meet Maude in the signal chain, where it won't crowd Fairfield Circuitry Meet Maude — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain