Pedals that stack with the IdiotBox Effects End of Line

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)

Run Catalinbread SFT after it and the bright edge settles into something more warm

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

IdiotBox Effects End of Line's bright voice goes after Death By Audio Germanium Filter in the signal chain — it's not there to compete with Death By Audio Germanium Filter's own germanium character

Comes earlier in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)

Greer Mizuki blue's warm balances out the bright tone

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run IdiotBox Effects End of Line after Lovepedal Dl-1 delay in the signal chain, where it won't crowd Lovepedal Dl-1 delay — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run IdiotBox Effects End of Line after NuX Analog Delay in the signal chain, where it won't crowd NuX Analog Delay — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Hoshino Admini Mini Analog Delay's analog warmth voice out front: IdiotBox Effects End of Line goes after Hoshino Admini Mini Analog Delay in the signal chain so its bright voice doesn't muddy it — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put IdiotBox Effects End of Line after ThorpyFX PEA MKII Germanium in the signal chain, clear of ThorpyFX PEA MKII Germanium's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep IdiotBox Effects End of Line after Maxon AD10 Analog Delay in the signal chain, where it won't crowd Maxon AD10 Analog Delay — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep IdiotBox Effects End of Line after One Control Anodized Brown Distortion in the signal chain, clear of One Control Anodized Brown Distortion's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run IdiotBox Effects End of Line after JAM Pedals Delay-Llama-X in the signal chain, where it won't crowd JAM Pedals Delay-Llama-X — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put IdiotBox Effects End of Line after One Control Marigold Orange Overdrive in the signal chain, clear of One Control Marigold Orange Overdrive's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep TC Electronic VPD-1 Vintage Pre-Drive's warm voice out front: IdiotBox Effects End of Line goes after TC Electronic VPD-1 Vintage Pre-Drive in the signal chain so its bright voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put IdiotBox Effects End of Line after Malekko A.D Omicron Series in the signal chain, where it won't crowd Malekko A.D Omicron Series — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Providence Chrono Delay's analog warmth voice out front: IdiotBox Effects End of Line goes after Providence Chrono Delay in the signal chain so its bright voice doesn't muddy it — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep NUX Steel Singer's warm voice out front: IdiotBox Effects End of Line goes after NUX Steel Singer in the signal chain so its bright voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run IdiotBox Effects End of Line after T Rex T-Rex Mudhoney II in the signal chain, clear of T Rex T-Rex Mudhoney II's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run IdiotBox Effects End of Line after Pigtronix Fat Drive in the signal chain, clear of Pigtronix Fat Drive's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run IdiotBox Effects End of Line after Free The Tone Red Jasper V2 in the signal chain, clear of Free The Tone Red Jasper V2's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put IdiotBox Effects End of Line after NuX 6ixty5ive Overdrive Effektpedal in the signal chain, clear of NuX 6ixty5ive Overdrive Effektpedal's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep IdiotBox Effects End of Line after Donner Tape Stereo Delay in the signal chain, where it won't crowd Donner Tape Stereo Delay — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep ThorpyFX The Old Timer's warm voice out front: IdiotBox Effects End of Line goes after ThorpyFX The Old Timer in the signal chain so its bright voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put IdiotBox Effects End of Line after BBE Digitech Dod-Rubberneck Rubberneck Analog in the signal chain, where it won't crowd BBE Digitech Dod-Rubberneck Rubberneck Analog — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put IdiotBox Effects End of Line after Matthews Effects The Surgeon in the signal chain, where it won't crowd Matthews Effects The Surgeon — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put IdiotBox Effects End of Line after Eventide Riptide in the signal chain, clear of Eventide Riptide's own gain stage

Comes earlier in the signal chain