Pedals that stack with the Caroline Guitar Company Parabola State Tremolo

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Caroline Guitar Company Parabola State Tremolo after Crowther Double Hot Cake in the signal chain, clear of Crowther Double Hot Cake's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Caroline Guitar Company Parabola State Tremolo after Fulltone Fulldrive 2 MOSFET in the signal chain, clear of Fulltone Fulldrive 2 MOSFET's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Caroline Guitar Company Parabola State Tremolo after Dunlop Echoplex Delay EP103 in the signal chain, where it won't crowd Dunlop Echoplex Delay EP103 — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Caroline Guitar Company Parabola State Tremolo after Carl Martin PlexiTone in the signal chain, clear of Carl Martin PlexiTone's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Caroline Guitar Company Parabola State Tremolo after Boss DS-1 Distortion (Japan, 1980s) in the signal chain, clear of Boss DS-1 Distortion (Japan, 1980s)'s own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Caroline Guitar Company Parabola State Tremolo after NuX Drive Force in the signal chain, clear of NuX Drive Force's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Caroline Guitar Company Parabola State Tremolo after MXR ZW-44 Berzerker Overdrive in the signal chain, clear of MXR ZW-44 Berzerker Overdrive's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Caroline Guitar Company Parabola State Tremolo after Pasta Pedals Plexi Drive in the signal chain, clear of Pasta Pedals Plexi Drive's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Caroline Guitar Company Parabola State Tremolo after Friedman BE-OD Deluxe in the signal chain, clear of Friedman BE-OD Deluxe's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

The Mystic Edge's touch-responsive tube overdrive gives the Parabola's stage-ready tremolo pulse a saturated signal to chop up.

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

The Flux-Drive's warm, bluesy crunch gives the Parabola's stage-ready tremolo pulse a saturated signal to chop up.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Caroline Guitar Company Parabola State Tremolo after Catalinbread CB-Overdrive in the signal chain, clear of Catalinbread CB-Overdrive's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Caroline Guitar Company Parabola State Tremolo after Source Audio L.A. Lady in the signal chain, clear of Source Audio L.A. Lady's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Push the Plexi Drive's crunchy, Marshall-plexi-voiced boost with the Parabola's stage-ready tremolo pulse and the pulse rides on real weight.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Caroline Guitar Company Parabola State Tremolo after Electro-Harmonix Pocket Metal Muff in the signal chain, clear of Electro-Harmonix Pocket Metal Muff's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Caroline Guitar Company Parabola State Tremolo after Peavey Joshua Homme Decade Preamp in the signal chain, clear of Peavey Joshua Homme Decade Preamp's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

The Broadcast's warm, organic germanium preamp feeds the Parabola's stage-ready tremolo pulse a vintage-voiced signal to chop up.

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Caroline Guitar Company Parabola State Tremolo after Catalinbread DreamCoat in the signal chain, clear of Catalinbread DreamCoat's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Caroline Guitar Company Parabola State Tremolo after Dunlop Way Huge Doom Hammer Fuzz, model WM45 in the signal chain, clear of Dunlop Way Huge Doom Hammer Fuzz, model WM45's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Caroline Guitar Company Parabola State Tremolo after Smokin' Amp Co. FX10 BiFet Preamp in the signal chain, clear of Smokin' Amp Co. FX10 BiFet Preamp's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Caroline Guitar Company Parabola State Tremolo after Vox Joe Satriani Satchurator in the signal chain, clear of Vox Joe Satriani Satchurator's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Caroline Guitar Company Parabola State Tremolo after ProCo Fat Rat in the signal chain, clear of ProCo Fat Rat's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Caroline Guitar Company Parabola State Tremolo after Dunlop MXR M94SE Super Badass Distortion in the signal chain, clear of Dunlop MXR M94SE Super Badass Distortion's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Caroline Guitar Company Parabola State Tremolo after Dunlop JHMS2 Hendrix Shrine Series Octavio Fuzz in the signal chain, clear of Dunlop JHMS2 Hendrix Shrine Series Octavio Fuzz's own gain stage

Comes earlier in the signal chain