Pedals that stack with the Carr Raleigh

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → fuzzy)

The transparent tone has headroom to spare — Beetronics Nectar leans it toward fuzzy to fill it in

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → fuzzy)

Run Beetronics Swarm into that transparent platform and it finally leans toward fuzzy

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → fuzzy)

Run Black Arts Toneworks LSTR Fuzz into that transparent platform and it finally leans toward fuzzy

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Electro-Harmonix Bad after Carr Raleigh in the signal chain, clear of Carr Raleigh's own gain stage

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

What Universal Audio 1176 Compressor brings here leans toward compressed — that's worth building a pairing around

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Dunlop MXR M299 Carbon Copy Mini is voiced for a clean amp's front end — Carr Raleigh gives it exactly that — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Meris Polymoon in Carr Raleigh's effects loop, clear of Carr Raleigh's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop