Pedals that stack with the Catalinbread Callisto MkII All-Analog Chorus
← everything about the Catalinbread Callisto MkII All-Analog Chorus
All 9 ranked by how well they pair, from rig co-occurrence and tone-complementarity evidence
Ibanez Tube Screamer
Ibanez
31% matchRun the Tube Screamer into the Callisto, not the other way, so the chorus doesn't get chewed up by the drive's added gain.
Wren and Cuff Box of War Small Foot Fuzz
Wren And Cuff
29% matchRun the Box of War's searing fuzz into the Callisto and the chorus keeps that sustained wall of gain from turning into mud.
Electro-Harmonix Satisfaction Plus Fuzz
Electro-Harmonix
28% matchPut Catalinbread Callisto MkII All-Analog Chorus after Electro-Harmonix Satisfaction Plus Fuzz in the signal chain, clear of Electro-Harmonix Satisfaction Plus Fuzz's own gain stage
Fairfield Circuitry 900 Fuzz
Fairfield Circuitry
24% matchKeep Catalinbread Callisto MkII All-Analog Chorus after Fairfield Circuitry 900 Fuzz in the signal chain, clear of Fairfield Circuitry 900 Fuzz's own gain stage
Electro-Harmonix Big Muff Pi with Tone Wicker
pedal
24% matchKeep Catalinbread Callisto MkII All-Analog Chorus after Electro-Harmonix Big Muff Pi with Tone Wicker in the signal chain, clear of Electro-Harmonix Big Muff Pi with Tone Wicker's own gain stage
Dunlop JHM S1
Dunlop
22% matchKeep Catalinbread Callisto MkII All-Analog Chorus after Dunlop JHM S1 in the signal chain, clear of Dunlop JHM S1's own gain stage
Dawner Prince Boonar
Dawner Prince
21% matchThe Boonar's vintage studio delay trails the Callisto's analog chorus-vibrato with a colored signal to echo. — goes in the amp's FX loop (or last, into a clean amp)
Catalinbread Fuzzrite Germanium
Catalinbread
18% matchKeep Catalinbread Fuzzrite Germanium's germanium voice out front: Catalinbread Callisto MkII All-Analog Chorus goes after Catalinbread Fuzzrite Germanium in the signal chain so its modulated voice doesn't muddy it
Alexander Pedals SpaceXpander
Alexander Pedals
13% matchRun the Callisto's analog chorus into the SpaceXpander and the modulation gets a spring-reverb tail instead of drying out at the end of the chain. — goes in the amp's FX loop (or last, into a clean amp)
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