Pedals that stack with the Chase Bliss Automatone Preamp MKII
← everything about the Chase Bliss Automatone Preamp MKII
All 6 ranked by how well they pair, from rig co-occurrence and tone-complementarity evidence
Z.Vex Super Hard On
Zvex
28% matchFeed a edge of breakup signal into Z.Vex Super Hard On and it comes out closer to clean boost
Comes earlier in the signal chain
MXR Micro Amp
MXR
27% matchFeed a edge of breakup signal into MXR Micro Amp and it comes out closer to clean boost
Comes earlier in the signal chain
Caroline Guitar Company Parabola State Tremolo
Caroline Guitar Company
21% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep Caroline Guitar Company Parabola State Tremolo after Chase Bliss Automatone Preamp MKII in the signal chain, clear of Chase Bliss Automatone Preamp MKII's own gain stage
Comes earlier in the signal chain
Acoustic Strymon Compadre Dual Voice Compressor
Acoustic
20% matchshapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)
Acoustic Strymon Compadre Dual Voice Compressor leans toward compressed, and that's a real, usable character to pair with
Comes earlier in the signal chain
Meris Polymoon
Meris
12% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Meris Polymoon's modulated voice goes after Chase Bliss Automatone Preamp MKII in the signal chain — it's not there to compete with Chase Bliss Automatone Preamp MKII's own fuzzy character — goes in the amp's FX loop (or last, into a clean amp)
Comes later in the signal chain
Dawner Prince Boonar
Dawner Prince
12% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep Chase Bliss Automatone Preamp MKII's fuzzy voice out front: Dawner Prince Boonar goes after Chase Bliss Automatone Preamp MKII in the signal chain so its modulated voice doesn't muddy it — goes in the amp's FX loop (or last, into a clean amp)
Comes later in the signal chain
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