Amps that pair well with the Chase Bliss Automatone CXM 1978
← everything about the Chase Bliss Automatone CXM 1978
All 8 ranked by how well they pair, from rig co-occurrence and tone-complementarity evidence
Dumble Steel String Singer
Dumble
25% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → smooth)
Where this leans bright, Dumble Steel String Singer answers back smooth
Comes earlier in the signal chain
Marshall JTM45 45W Tube Guitar Amp Head
amplifier
24% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Run Marshall JTM45 45W Tube Guitar Amp Head after it and the bright edge settles into something more warm
Comes earlier in the signal chain
Orange Little Bass Thing
Orange
14% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Run Chase Bliss Automatone CXM 1978 in Orange Little Bass Thing's effects loop, clear of Orange Little Bass Thing's own gain stage
Comes earlier in the signal chain
Orange Terror Bass
Orange
14% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Chase Bliss Automatone CXM 1978's pristine voice goes in Orange Terror Bass's effects loop — it's not there to compete with Orange Terror Bass's own warm character
Comes earlier in the signal chain
Orange BT1000H Terror Bass 1000-Watt Bass Amp
Orange
14% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Put Chase Bliss Automatone CXM 1978 in Orange BT1000H Terror Bass 1000-Watt Bass Amp's effects loop, clear of Orange BT1000H Terror Bass 1000-Watt Bass Amp's own gain stage
Comes earlier in the signal chain
Ampeg RB-112
Ampeg
14% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Run Chase Bliss Automatone CXM 1978 in Ampeg RB-112's effects loop, clear of Ampeg RB-112's own gain stage
Comes earlier in the signal chain
Ampeg V-4B 100w Bass Head
Ampeg
13% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Run Chase Bliss Automatone CXM 1978 in Ampeg V-4B 100w Bass Head's effects loop, clear of Ampeg V-4B 100w Bass Head's own gain stage
Comes earlier in the signal chain
Aguilar Tone Hammer 500 Bass Amp 30th
Aguilar
13% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Chase Bliss Automatone CXM 1978's pristine voice goes in Aguilar Tone Hammer 500 Bass Amp 30th's effects loop — it's not there to compete with Aguilar Tone Hammer 500 Bass Amp 30th's own warm character
Comes earlier in the signal chain