Amps that pair well with the Colorsound Overdriver
← everything about the Colorsound Overdriver
All 143 ranked by how well they pair, from rig co-occurrence and tone-complementarity evidence
Marshall 2203KK Kerry King JCM800
Marshall
28% matchgain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → fuzzy)
Run mid-forward into Colorsound Overdriver for more fuzzy on top
Comes later in the signal chain
Marshall 2245 JTM45 MK II Reissue 2-Channel 30-Watt
Marshall
28% matchThe transparent tone has headroom to spare — Colorsound Overdriver leans it toward fuzzy to fill it in
Comes later in the signal chain
Marshall Reverse Jubilee 20W 1x12 Combo
Marshall
28% matchgain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → fuzzy)
Colorsound Overdriver leans toward transparent, and that's a real, usable character to pair with
Comes later in the signal chain
Orange Crush 60 2 Channel Combo 60
Orange
28% matchgain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → fuzzy)
Run mid-forward into Colorsound Overdriver for more fuzzy on top
Comes later in the signal chain
Ampeg Rocket Watts
Ampeg
28% matchColorsound Overdriver leans this transparent tone toward fuzzy, which it doesn't make on its own
Comes later in the signal chain
1977 Marshall 2203 JMP Master Volume
Marshall
28% matchgain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → fuzzy)
Colorsound Overdriver layers fuzzy onto an already mid-forward signal
Comes later in the signal chain
Orange Crush Pro CR60C
Orange
28% matchgain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → fuzzy)
Run mid-forward into Colorsound Overdriver for more fuzzy on top
Comes later in the signal chain
Marshall Jubilee Head
Marshall
27% matchgain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → fuzzy)
Run mid-forward into Colorsound Overdriver for more fuzzy on top
Comes later in the signal chain
Laney AOR 50 Series II
Laney
27% matchgain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → fuzzy)
Colorsound Overdriver stacks fuzzy on top of the mid-forward already here
Comes later in the signal chain
Orange Crush Pro CR120
Orange
27% matchgain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → fuzzy)
Colorsound Overdriver layers fuzzy onto an already mid-forward signal
Comes later in the signal chain
Marshall JMP 2204 Master Model Mk2 Lead 50-Watt
Marshall
27% matchgain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → fuzzy)
Colorsound Overdriver layers fuzzy onto an already mid-forward signal
Comes later in the signal chain
Orange Crush 35RT
Orange
27% matchgain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → fuzzy)
Run mid-forward into Colorsound Overdriver for more fuzzy on top
Comes later in the signal chain
Blackstar Series One 45
Blackstar
27% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Colorsound Overdriver leans bright right where the warm tone needs it
Comes later in the signal chain
Carr Impala
Carr
27% matchgain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → fuzzy)
Colorsound Overdriver layers fuzzy onto an already mid-forward signal
Comes later in the signal chain
Ceriatone HRM 50
Ceriatone
27% matchgain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → fuzzy)
Put Colorsound Overdriver in front and the mid-forward tone leans further toward fuzzy
Comes later in the signal chain
Friedman Jose Arredondo
Friedman
27% matchgain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → fuzzy)
Colorsound Overdriver stacks fuzzy on top of the mid-forward already here
Comes later in the signal chain
Ceriatone Overtone Special HRM Bluesmaster 50
Ceriatone
27% matchgain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → fuzzy)
Colorsound Overdriver stacks fuzzy on top of the mid-forward already here
Comes later in the signal chain
3rd Power DRGN-100
3rd Power
27% matchgain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → fuzzy)
Colorsound Overdriver layers fuzzy onto an already mid-forward signal
Comes later in the signal chain
Aguilar Tone Hammer 350 LTD Chocolate Brown
Aguilar
27% matchgain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → fuzzy)
Colorsound Overdriver's own voicing points at a clean amp's front end, and Aguilar Tone Hammer 350 LTD Chocolate Brown delivers it
Comes later in the signal chain
Marshall Jmp Master Volume 1970s
Marshall
27% matchgain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → fuzzy)
Colorsound Overdriver layers fuzzy onto an already mid-forward signal
Comes later in the signal chain
Vox AC10 Custom
Vox
27% matchInto a transparent tone, Colorsound Overdriver brings a pull toward fuzzy that's missing
Comes later in the signal chain
Orange Marcus King MK Ultra Head
Orange
27% matchgain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → fuzzy)
Put Colorsound Overdriver in front and the mid-forward tone leans further toward fuzzy
Comes later in the signal chain
Marshall Vintage Modern 50W Combo
Marshall
27% matchpushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (crunchy → clean boost)
Feed a crunchy signal into Colorsound Overdriver and it comes out closer to clean boost
Comes later in the signal chain
Marshall Valvestate 8080
Marshall
27% matchColorsound Overdriver leans this transparent tone toward fuzzy, which it doesn't make on its own
Comes later in the signal chain