Pedals that stack with the Cusack Music Reverb SME

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → ambient)

Keep Cusack Music Reverb SME after Electro-Harmonix POG in the signal chain, where it won't crowd Electro-Harmonix POG

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → ambient)

Keep Dunlop Jimi Hendrix JH-1 Wah Pedal's mid-forward voice out front: Cusack Music Reverb SME goes after Dunlop Jimi Hendrix JH-1 Wah Pedal in the signal chain so its modulated voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → ambient)

Cusack Music Reverb SME's modulated voice goes after Hotone Skyline Djent Metalcore HiGain Metal Distortion in the signal chain — it's not there to compete with Hotone Skyline Djent Metalcore HiGain Metal Distortion's own aggressive character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → ambient)

Put Cusack Music Reverb SME after DigiTech Metal Master in the signal chain, clear of DigiTech Metal Master's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → ambient)

Put Cusack Music Reverb SME after Amptweaker Tight Metal in the signal chain, clear of Amptweaker Tight Metal's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → ambient)

Keep Cusack Music Reverb SME after Warm Audio Fluff Drive in the signal chain, clear of Warm Audio Fluff Drive's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → ambient)

Cusack Music Reverb SME's modulated voice goes after Electro-Harmonix Pocket Metal Muff in the signal chain — it's not there to compete with Electro-Harmonix Pocket Metal Muff's own high gain character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → ambient)

Put Cusack Music Reverb SME after Digitech DOD Boneshaker in the signal chain, clear of Digitech DOD Boneshaker's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → ambient)

Put Cusack Music Reverb SME after Electronic Audio Experiments Citadel in the signal chain, clear of Electronic Audio Experiments Citadel's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → ambient)

Keep Cusack Music Reverb SME after Mooer 001 in the signal chain, clear of Mooer 001's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → ambient)

Keep Cusack Music Reverb SME after Keeley KA-Orange in the signal chain, clear of Keeley KA-Orange's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → ambient)

Keep Carl Martin TOD High-Gain Overdrive's high gain voice out front: Cusack Music Reverb SME goes after Carl Martin TOD High-Gain Overdrive in the signal chain so its modulated voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → ambient)

Keep Cusack Music Reverb SME after Mooer Ultra Drive MK II in the signal chain, clear of Mooer Ultra Drive MK II's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → ambient)

Run Cusack Music Reverb SME after NuX HG-6 High Gain in the signal chain, clear of NuX HG-6 High Gain's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → ambient)

Cusack Music Reverb SME's modulated voice goes after Mesa Boogie Throttle Box Overdrive in the signal chain — it's not there to compete with Mesa Boogie Throttle Box Overdrive's own aggressive character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → ambient)

Keep Cusack Music Reverb SME after Death By Audio Basswar in the signal chain, clear of Death By Audio Basswar's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → ambient)

Put Cusack Music Reverb SME after Empress Dist in the signal chain, clear of Empress Dist's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → ambient)

Run Cusack Music Reverb SME after MXR CSP036 Il Diavolo Overdrive in the signal chain, clear of MXR CSP036 Il Diavolo Overdrive's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → ambient)

Put Cusack Music Reverb SME after Joyo R-03 Uzi in the signal chain, where it won't crowd Joyo R-03 Uzi

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → ambient)

Run Cusack Music Reverb SME after Lovepedal MK12 Super High Gain Dirt Box in the signal chain, clear of Lovepedal MK12 Super High Gain Dirt Box's own gain stage

Comes earlier in the signal chain

MXR Distortion+'s own gritty character is the real reason this is worth trying

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → ambient)

Cusack Music Reverb SME's modulated voice goes after T-Rex Totenschlager in the signal chain — it's not there to compete with T-Rex Totenschlager's own aggressive character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → ambient)

Put Cusack Music Reverb SME after Matthews Effects The Harbinger Distortion in the signal chain, clear of Matthews Effects The Harbinger Distortion's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → ambient)

Cusack Music Reverb SME's modulated voice goes after Matthews Effects The Breaker in the signal chain — it's not there to compete with Matthews Effects The Breaker's own aggressive character

Comes earlier in the signal chain