Pedals that stack with the Cusack Music Reverb SME

Beetronics Swarm's own fuzzy character is the real reason this is worth trying

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → ambient)

Keep Fender Godzilla Distortion Limited Edition's aggressive voice out front: Cusack Music Reverb SME goes after Fender Godzilla Distortion Limited Edition in the signal chain so its modulated voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → ambient)

Run Cusack Music Reverb SME after DSM & Humboldt Electronics Black Clouds in the signal chain, clear of DSM & Humboldt Electronics Black Clouds's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → ambient)

Put Cusack Music Reverb SME after Hotone Chunk Distortion in the signal chain, clear of Hotone Chunk Distortion's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → ambient)

Put Cusack Music Reverb SME after Fortin Amplification Kali Pre-Amp in the signal chain, clear of Fortin Amplification Kali Pre-Amp's own gain stage

Comes earlier in the signal chain

Keep Electro-Harmonix Small Stone after Cusack Music Reverb SME in the signal chain, where it won't crowd Cusack Music Reverb SME

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → ambient)

Keep Cusack Music Reverb SME after T Rex T-Rex Mean Machine in the signal chain, clear of T Rex T-Rex Mean Machine's own gain stage

Comes earlier in the signal chain

Keep Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator after Cusack Music Reverb SME in the signal chain, where it won't crowd Cusack Music Reverb SME

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Cusack Music Reverb SME after Behringer BM-15M Murf Box in the signal chain, where it won't crowd Behringer BM-15M Murf Box

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Cusack Music Reverb SME after Keeley octa osi transfigurating fuzz in the signal chain, clear of Keeley octa osi transfigurating fuzz's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Cusack Music Reverb SME after Cusack Music Subfuzz in the signal chain, clear of Cusack Music Subfuzz's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Cusack Music Reverb SME after Maxon DS830 Distortion Master in the signal chain, clear of Maxon DS830 Distortion Master's own gain stage

Comes earlier in the signal chain