Amps that pair well with the Cusack Music Tap-A-Fuzz

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → fuzzy)

Run mid-forward into Cusack Music Tap-A-Fuzz for more fuzzy on top

Comes later in the signal chain

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → fuzzy)

Cusack Music Tap-A-Fuzz layers fuzzy onto an already mid-forward signal

Comes later in the signal chain

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → fuzzy)

Run mid-forward into Cusack Music Tap-A-Fuzz for more fuzzy on top

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)

The Magnatone 280's stereo pitch-vibrato gives the Tap-A-Fuzz's full, experimental fuzz a genuinely unique, swirling amp voice to push into.

Comes later in the signal chain

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → fuzzy)

Run mid-forward into Cusack Music Tap-A-Fuzz for more fuzzy on top

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)

The Vibrolux's sweet, classic Fender vibrato tone gives the Tap-A-Fuzz's full, experimental fuzz a genuinely vintage amp voice to push into.

Comes later in the signal chain

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → fuzzy)

Cusack Music Tap-A-Fuzz layers fuzzy onto an already mid-forward signal

Comes later in the signal chain

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → fuzzy)

Cusack Music Tap-A-Fuzz stacks fuzzy on top of the mid-forward already here

Comes later in the signal chain

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → fuzzy)

Run mid-forward into Cusack Music Tap-A-Fuzz for more fuzzy on top

Comes later in the signal chain

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → fuzzy)

Run mid-forward into Cusack Music Tap-A-Fuzz for more fuzzy on top

Comes later in the signal chain

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → fuzzy)

Cusack Music Tap-A-Fuzz leans toward fuzzy, and that's a real, usable character to pair with

Comes later in the signal chain

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → fuzzy)

Put Cusack Music Tap-A-Fuzz in front and the mid-forward tone leans further toward fuzzy

Comes later in the signal chain

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → fuzzy)

Put Cusack Music Tap-A-Fuzz in front and the mid-forward tone leans further toward fuzzy

Comes later in the signal chain

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → fuzzy)

Cusack Music Tap-A-Fuzz stacks fuzzy on top of the mid-forward already here

Comes later in the signal chain

Cusack Music Tap-A-Fuzz leans this high headroom tone toward fuzzy, which it doesn't make on its own

Comes later in the signal chain

The high headroom tone has headroom to spare — Cusack Music Tap-A-Fuzz leans it toward fuzzy to fill it in

Comes later in the signal chain

Cusack Music Tap-A-Fuzz leans this transparent tone toward fuzzy, which it doesn't make on its own

Comes later in the signal chain