Pedals that stack with the Dan Armstrong Orange Squeezer

JHS Smiley's own fuzzy character is the real reason this is worth trying

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

Push the Orange Squeezer's musical FET compression with the Screamer's mid-forward boost and the dynamics stay tight even as it drives harder.

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

Dan Armstrong Orange Squeezer's own dynamic character is the real reason this is worth trying

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

Dan Armstrong Orange Squeezer leans toward dynamic, and that's a real, usable character to pair with

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

Dan Armstrong Orange Squeezer's own dynamic character is the real reason this is worth trying

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

Dan Armstrong Orange Squeezer's own dynamic character is the real reason this is worth trying

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

Dan Armstrong Orange Squeezer's own dynamic character is the real reason this is worth trying

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

Dan Armstrong Orange Squeezer leans toward dynamic, and that's a real, usable character to pair with

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Dan Armstrong Orange Squeezer's own dynamic character is the real reason this is worth trying

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

Dan Armstrong Orange Squeezer leans toward dynamic, and that's a real, usable character to pair with

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Dan Armstrong Orange Squeezer's dynamic voice suits Tru-Fi Scream to Eternity's own dynamic character

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

Dan Armstrong Orange Squeezer leans toward dynamic, and that's a real, usable character to pair with

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

Dan Armstrong Orange Squeezer's own dynamic character is the real reason this is worth trying

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

Dan Armstrong Orange Squeezer's own dynamic character is the real reason this is worth trying

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

Dan Armstrong Orange Squeezer's own dynamic character is the real reason this is worth trying

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

Dan Armstrong Orange Squeezer's own dynamic character is the real reason this is worth trying

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

Dan Armstrong Orange Squeezer leans toward dynamic, and that's a real, usable character to pair with

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

What Dan Armstrong Orange Squeezer brings here leans toward dynamic — that's worth building a pairing around

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

Dan Armstrong Orange Squeezer leans toward dynamic, and that's a real, usable character to pair with

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

Dan Armstrong Orange Squeezer's own dynamic character is the real reason this is worth trying

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

Dan Armstrong Orange Squeezer's own dynamic character is the real reason this is worth trying

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

Dan Armstrong Orange Squeezer's own dynamic character is the real reason this is worth trying

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

What Dan Armstrong Orange Squeezer brings here leans toward dynamic — that's worth building a pairing around

Comes later in the signal chain

Electro-Harmonix XO Deluxe Memory Man's analog warmth voice goes after Dan Armstrong Orange Squeezer in the signal chain — it's not there to compete with Dan Armstrong Orange Squeezer's own dynamic character — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain