Pedals that stack with the Diezel Hagen 4-Channel 100-Watt

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → mid-forward)

The Screamer's mid-forward boost pushes the Hagen's clean-to-crunch gain further into breakup.

Goes in front of the amp

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → mid-forward)

J. Rockett The Dude takes that high gain character and pushes it toward mid-forward

Goes in front of the amp

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → mid-forward)

JAM Pedals Tubedreamer pushes a high gain tone toward mid-forward

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → high gain)

Into a transparent tone, Diezel Hagen 4-Channel 100-Watt brings a pull toward high gain that's missing

Goes in front of the amp

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → high gain)

Run mid-forward into Diezel Hagen 4-Channel 100-Watt for more high gain on top

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → high gain)

Diezel Hagen 4-Channel 100-Watt leans this transparent tone toward high gain, which it doesn't make on its own

Goes in front of the amp

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → high gain)

Diezel Hagen 4-Channel 100-Watt stacks high gain on top of the mid-forward already here

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (high headroom → high gain)

Diezel Hagen 4-Channel 100-Watt leans this high headroom tone toward high gain, which it doesn't make on its own

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

The Cory Wong's punchy optical compression evens dynamics before the Hagen's own clean-to-crunch gain stage.

Goes in front of the amp

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → high gain)

Run mid-forward into Diezel Hagen 4-Channel 100-Watt for more high gain on top

Goes in front of the amp

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → high gain)

Diezel Hagen 4-Channel 100-Watt layers high gain onto an already mid-forward signal

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (high headroom → high gain)

Into a high headroom tone, Diezel Hagen 4-Channel 100-Watt brings a pull toward high gain that's missing

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (high headroom → high gain)

Into a high headroom tone, Diezel Hagen 4-Channel 100-Watt brings a pull toward high gain that's missing

Goes in front of the amp

gain stackingStacks two gain stages for more saturation than either produces alone. (low gain → high gain)

Into a low gain tone, Diezel Hagen 4-Channel 100-Watt brings a pull toward high gain that's missing

Goes in front of the amp

Into the Hagen's natural, classic-rock clean channel, the Wahcko's vocal, funk-fusion wah sweep has a defined amp voice to color.

Goes in front of the amp

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → high gain)

Diezel Hagen 4-Channel 100-Watt stacks high gain on top of the mid-forward already here

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (high headroom → high gain)

Into a high headroom tone, Diezel Hagen 4-Channel 100-Watt brings a pull toward high gain that's missing

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (high headroom → high gain)

Into a high headroom tone, Diezel Hagen 4-Channel 100-Watt brings a pull toward high gain that's missing

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → high gain)

Into a transparent tone, Diezel Hagen 4-Channel 100-Watt brings a pull toward high gain that's missing

Goes in front of the amp

gain stackingStacks two gain stages for more saturation than either produces alone. (low gain → high gain)

Into a low gain tone, Diezel Hagen 4-Channel 100-Watt brings a pull toward high gain that's missing

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Orange Series Phaser after Diezel Hagen 4-Channel 100-Watt in the signal chain, clear of Diezel Hagen 4-Channel 100-Watt's own gain stage

Goes in front of the amp

What Diezel Hagen 4-Channel 100-Watt brings here leans toward high gain — that's worth building a pairing around

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → high gain)

Into a transparent tone, Diezel Hagen 4-Channel 100-Watt brings a pull toward high gain that's missing

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → high gain)

What Diezel Hagen 4-Channel 100-Watt brings here leans toward high gain — that's worth building a pairing around

Goes in front of the amp