Pedals that stack with the Diezel VH-2 100 Watt Head
← everything about the Diezel VH-2 100 Watt Head
All 7 ranked by how well they pair, from rig co-occurrence and tone-complementarity evidence
Klon KTR
Klon
22% matchclean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → medium gain)
The transparent tone has headroom to spare — Klon KTR leans it toward medium gain to fill it in
Goes in front of the amp
Electro-Harmonix 1973 Violet Ram's Head Big Muff Pi V2
Electro-Harmonix
21% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
Electro-Harmonix 1973 Violet Ram's Head Big Muff Pi V2 leans this transparent tone toward mid-forward, which it doesn't make on its own
Goes in front of the amp
Greer Tomahawk
Greer
21% matchclean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → medium gain)
Greer Tomahawk's own bright character is the real reason this is worth trying
Goes in front of the amp
Strymon Orbit
Strymon
17% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep Strymon Orbit after Diezel VH-2 100 Watt Head in the signal chain, clear of Diezel VH-2 100 Watt Head's own gain stage
Goes in front of the amp
Seymour Duncan Vise Grip Compressor
Seymour Duncan
12% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
What Diezel VH-2 100 Watt Head brings here leans toward transparent — that's worth building a pairing around
Goes in front of the amp
Fender Hammertone Reverb
Fender
10% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep Diezel VH-2 100 Watt Head's transparent voice out front: Fender Hammertone Reverb goes in Diezel VH-2 100 Watt Head's effects loop so its lush voice doesn't muddy it — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
MXR Analog Delay
MXR
9% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → slapback)
Run MXR Analog Delay in Diezel VH-2 100 Watt Head's effects loop, clear of Diezel VH-2 100 Watt Head's own gain stage — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop