Pedals that stack with the Diezel VH4 4-Channel 100-Watt

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → mid-forward)

Stack Ibanez Tube Screamer on top and a high gain tone tightens toward mid-forward

Goes in front of the amp

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → high gain)

Diezel VH4 4-Channel 100-Watt's own high gain character is the real reason this is worth trying

Goes in front of the amp

Used together by 1 artist

Diezel VH4 4-Channel 100-Watt's own high gain character is the real reason this is worth trying

Goes in front of the amp

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → high gain)

Push the VH4's tight, huge gain further by stacking the Distortion Plus's warm, compressed clipping in front for extra saturation.

Goes in front of the amp

Diezel VH4 4-Channel 100-Watt's own high gain character is the real reason this is worth trying — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → clean boost)

Walrus Audio EB-10 Black Edition takes that high gain character and pushes it toward clean boost

Goes in front of the amp

What Diezel VH4 4-Channel 100-Watt brings here leans toward high gain — that's worth building a pairing around

Goes in front of the amp

Diezel VH4 4-Channel 100-Watt's own high gain character is the real reason this is worth trying

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (dark → bright)

Run Diezel VH4 4-Channel 100-Watt after it and the dark edge settles into something more bright

Goes in front of the amp

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → clean boost)

Stack Beetronics Buzzter Boost Preamp on top and a high gain tone tightens toward clean boost

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → modulated)

Keep Boss CE-2W Chorus Waza Craft after Diezel VH4 4-Channel 100-Watt in the signal chain, clear of Diezel VH4 4-Channel 100-Watt's own gain stage

Goes in front of the amp

What Diezel VH4 4-Channel 100-Watt brings here leans toward high gain — that's worth building a pairing around — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

What Diezel VH4 4-Channel 100-Watt brings here leans toward high gain — that's worth building a pairing around

Goes in front of the amp

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → high gain)

Diezel VH4 4-Channel 100-Watt stacks high gain on top of the mid-forward already here

Goes in front of the amp

Diezel VH4 4-Channel 100-Watt layers high gain onto an already mid-forward signal

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → high gain)

Into a transparent tone, Diezel VH4 4-Channel 100-Watt brings a pull toward high gain that's missing

Goes in front of the amp

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → high gain)

Diezel VH4 4-Channel 100-Watt layers high gain onto an already mid-forward signal

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → high gain)

Diezel VH4 4-Channel 100-Watt leans this transparent tone toward high gain, which it doesn't make on its own

Goes in front of the amp

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → high gain)

Run mid-forward into Diezel VH4 4-Channel 100-Watt for more high gain on top

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

The Cory Wong's optical funk compression evens out the pick attack before it ever reaches the VH4's own huge, searing modern gain.

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → high gain)

Diezel VH4 4-Channel 100-Watt leans this transparent tone toward high gain, which it doesn't make on its own

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → high gain)

Into a transparent tone, Diezel VH4 4-Channel 100-Watt brings a pull toward high gain that's missing

Goes in front of the amp

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → high gain)

Run mid-forward into Diezel VH4 4-Channel 100-Watt for more high gain on top

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → high gain)

Diezel VH4 4-Channel 100-Watt leans this transparent tone toward high gain, which it doesn't make on its own

Goes in front of the amp