Pedals that stack with the Divided by 13 JRT 9/15

The JRT already has its own tremolo circuit — pairing it with the Tremolo Clone's organic pulse is doubling down on a texture the amp already loves.

Goes in front of the amp

Divided by 13 JRT 9/15's own dynamic character is the real reason this is worth trying

Goes in front of the amp

Divided by 13 JRT 9/15 leans toward dynamic, and that's a real, usable character to pair with

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

The Screamer's mid-forward boost pushes the JRT's boutique, tremolo-equipped breakup further.

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → low gain)

The RAT's bright, cutting distortion pushes the JRT's boutique, tremolo-equipped breakup into gritty territory.

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

Marshall Guv'nor leans this transparent tone toward mid-forward, which it doesn't make on its own

Goes in front of the amp

Divided by 13 JRT 9/15's own dynamic character is the real reason this is worth trying

Goes in front of the amp

Divided by 13 JRT 9/15's own dynamic character is the real reason this is worth trying

Goes in front of the amp

Divided by 13 JRT 9/15's own dynamic character is the real reason this is worth trying

Goes in front of the amp

Divided by 13 JRT 9/15's own dynamic character is the real reason this is worth trying

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

The Bad Stone's resonant, organic phase sweep follows the JRT's boutique, tremolo-equipped breakup for added motion.

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Universal Audio 1176 Compressor's compressed voice suits Divided by 13 JRT 9/15's own dynamic character

Goes in front of the amp

Divided by 13 JRT 9/15's own dynamic character is the real reason this is worth trying

Goes in front of the amp

Divided by 13 JRT 9/15 leans toward dynamic, and that's a real, usable character to pair with

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Boss RV-5 Digital Reverb in Divided by 13 JRT 9/15's effects loop, clear of Divided by 13 JRT 9/15's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

What Divided by 13 JRT 9/15 brings here leans toward dynamic — that's worth building a pairing around

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

The Boonar's Echorec-style repeats belong in the JRT's loop, clear of the amp's own boutique tremolo and breakup. — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

What Divided by 13 JRT 9/15 brings here leans toward dynamic — that's worth building a pairing around

Goes in front of the amp

Divided by 13 JRT 9/15's own dynamic character is the real reason this is worth trying

Goes in front of the amp

What Divided by 13 JRT 9/15 brings here leans toward dynamic — that's worth building a pairing around

Goes in front of the amp

What Divided by 13 JRT 9/15 brings here leans toward dynamic — that's worth building a pairing around

Goes in front of the amp

Divided by 13 JRT 9/15 leans toward dynamic, and that's a real, usable character to pair with

Goes in front of the amp

What Divided by 13 JRT 9/15 brings here leans toward dynamic — that's worth building a pairing around

Goes in front of the amp

Divided by 13 JRT 9/15 leans toward dynamic, and that's a real, usable character to pair with

Goes in front of the amp