TC Electronic Ampworx Vintage Series DC30

Vox MV50-CE Rock pushes a edge of breakup tone toward mid-forward

Comes later in the signal chain

Divided by 13 JRT 9/15's own dynamic character is the real reason this is worth trying

Comes later in the signal chain

Comes later in the signal chain

Feed a edge of breakup signal into Ampeg V-4 and it comes out closer to mid-forward

Comes later in the signal chain

Ampeg BA 108 takes that edge of breakup character and pushes it toward mid-forward

Comes later in the signal chain

Stack Ceriatone HRM 50 on top and a edge of breakup tone tightens toward mid-forward

Comes later in the signal chain

Ceriatone Overtone Special HRM Bluesmaster 50 pushes a edge of breakup tone toward mid-forward

Comes later in the signal chain

Blackstar Unity Bass U250's warm balances out the bright tone

Comes later in the signal chain

Park P45H leans warm right where the bright tone needs it

Greer Southland takes that edge of breakup character and pushes it toward clean boost

Feed a edge of breakup signal into Cusack Music Screamer and it comes out closer to mid-forward

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Mooer Trelicopter's smooth voice goes after TC Electronic Ampworx Vintage Series DC30 in the signal chain — it's not there to compete with TC Electronic Ampworx Vintage Series DC30's own bright character

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

SahBro? Audio Ross Kempressor leans toward compressed, and that's a real, usable character to pair with

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Alexander Pedals Now We Are Ghosts Reverb after TC Electronic Ampworx Vintage Series DC30 in the signal chain, clear of TC Electronic Ampworx Vintage Series DC30's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep TC Electronic Ampworx Vintage Series DC30's bright voice out front: Eventide Modulated Delay goes after TC Electronic Ampworx Vintage Series DC30 in the signal chain so its modulated voice doesn't muddy it — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

Comes later in the signal chain

Run Dunlop Echoplex Preamp after it and the bright edge settles into something more smooth

Comes earlier in the signal chain

MXR CAE Wah goes in front of TC Electronic Ampworx Vintage Series DC30 — a wah tracks picking dynamics best on the raw signal