Pedals that stack with the Dumble Overdrive Reverb

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (high headroom → mid-forward)

The high headroom tone has headroom to spare — Marshall Guv'nor leans it toward mid-forward to fill it in

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Run Univox Super-Fuzz into that dynamic platform and it finally leans toward compressed

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (high headroom → fuzzy)

Black Arts Toneworks LSTR Fuzz leans this high headroom tone toward fuzzy, which it doesn't make on its own

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Pigtronix Philosopher King's own compressed character is the real reason this is worth trying

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep TC Electronic Stereo Chorus Flanger after Dumble Overdrive Reverb in the signal chain, clear of Dumble Overdrive Reverb's own gain stage

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Dunlop MXR M299 Carbon Copy Mini is voiced for a clean amp's front end — Dumble Overdrive Reverb gives it exactly that — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Keeley Halo in Dumble Overdrive Reverb's effects loop, clear of Dumble Overdrive Reverb's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop