Pedals that stack with the Dunlop MXR Distortion Plus

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Dunlop MXR Distortion Plus leans this dynamic tone toward compressed, which it doesn't make on its own

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Into a dynamic tone, Dunlop MXR Distortion Plus brings a pull toward compressed that's missing

Comes earlier in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Into a dynamic tone, Dunlop MXR Distortion Plus brings a pull toward compressed that's missing

Comes earlier in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Dunlop MXR Distortion Plus leans this dynamic tone toward compressed, which it doesn't make on its own

Comes earlier in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)

Dunlop MXR Distortion Plus leans warm right where the bright tone needs it

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Into a dynamic tone, Dunlop MXR Distortion Plus brings a pull toward compressed that's missing

Comes earlier in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Into a dynamic tone, Dunlop MXR Distortion Plus brings a pull toward compressed that's missing

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)

The Dyna Comp's transient squash evens out the pick attack before it ever reaches the Distortion+'s own warm, compressed clipping.

Comes earlier in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Dunlop MXR Distortion Plus leans this dynamic tone toward compressed, which it doesn't make on its own

Comes earlier in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Into a dynamic tone, Dunlop MXR Distortion Plus brings a pull toward compressed that's missing

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Dunlop MXR Distortion Plus leans this dynamic tone toward compressed, which it doesn't make on its own

Comes earlier in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Into a dynamic tone, Dunlop MXR Distortion Plus brings a pull toward compressed that's missing

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Into a dynamic tone, Dunlop MXR Distortion Plus brings a pull toward compressed that's missing

Comes earlier in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Into a dynamic tone, Dunlop MXR Distortion Plus brings a pull toward compressed that's missing

Comes earlier in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Dunlop MXR Distortion Plus leans this dynamic tone toward compressed, which it doesn't make on its own

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Dunlop MXR Distortion Plus leans this dynamic tone toward compressed, which it doesn't make on its own

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Dunlop MXR Distortion Plus leans this dynamic tone toward compressed, which it doesn't make on its own

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Dunlop MXR Distortion Plus leans this dynamic tone toward compressed, which it doesn't make on its own

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Dunlop MXR Distortion Plus leans this dynamic tone toward compressed, which it doesn't make on its own

Comes earlier in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Dunlop MXR Distortion Plus leans this dynamic tone toward compressed, which it doesn't make on its own

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run the Boonar's vintage studio delay after the Distortion+'s warm, compressed midrange clipping and the repeats carry real saturation forward. — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Boss DD-3 Digital Delay after Dunlop MXR Distortion Plus in the signal chain, clear of Dunlop MXR Distortion Plus's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain