Pedals that stack with the Electro-Harmonix Bass Metaphors

← everything about the Electro-Harmonix Bass Metaphors

All 6 ranked by how well they pair, from rig co-occurrence and tone-complementarity evidence

Greer Black Mountain

Greer

21% match
$199via Reverb

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → fuzzy)

Run Greer Black Mountain into that transparent platform and it finally leans toward fuzzy

Comes earlier in the signal chain

JHS Smiley

JHS Pedals

20% match

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → fuzzy)

Run JHS Smiley into that transparent platform and it finally leans toward fuzzy

Comes earlier in the signal chain

Walrus Audio Monument CS

Walrus Audio

18% match

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Walrus Audio Monument CS after Electro-Harmonix Bass Metaphors in the signal chain, clear of Electro-Harmonix Bass Metaphors's own gain stage

Comes earlier in the signal chain

Vox Valvenergy Silk Drive

Vox

13% match
$150.36via Reverb

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

Vox Valvenergy Silk Drive leans toward smooth, and that's a real, usable character to pair with

Comes earlier in the signal chain

Alexander Pedals Now We Are Ghosts Reverb

Alexander Pedals

10% match
$399via Reverb

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Alexander Pedals Now We Are Ghosts Reverb after Electro-Harmonix Bass Metaphors in the signal chain, clear of Electro-Harmonix Bass Metaphors's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

Eventide Modulated Delay

Eventide

10% match

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Eventide Modulated Delay after Electro-Harmonix Bass Metaphors in the signal chain, clear of Electro-Harmonix Bass Metaphors's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

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