Amps that pair well with the Electro-Harmonix 1973 Violet Ram's Head Big Muff Pi V2
← everything about the Electro-Harmonix 1973 Violet Ram's Head Big Muff Pi V2
All 17 ranked by how well they pair, from rig co-occurrence and tone-complementarity evidence
Soldano SLO 100R
Soldano
33% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
Electro-Harmonix 1973 Violet Ram's Head Big Muff Pi V2 leans this transparent tone toward mid-forward, which it doesn't make on its own
Comes later in the signal chain
Soldano SLO-30 Super Lead Overdrive
Soldano
33% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
Electro-Harmonix 1973 Violet Ram's Head Big Muff Pi V2 leans this transparent tone toward mid-forward, which it doesn't make on its own
Comes later in the signal chain
Friedman Dirty Shirley
Friedman
31% matchgain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → high gain)
Put Friedman Dirty Shirley in front and the mid-forward tone leans further toward high gain
Comes later in the signal chain
Soldano Astro-20 Head
Soldano
30% matchgain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → high gain)
Put Soldano Astro-20 Head in front and the mid-forward tone leans further toward high gain
Comes later in the signal chain
Mesa/Boogie Mark IIC+ Head
Mesa Boogie
28% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)
Electro-Harmonix 1973 Violet Ram's Head Big Muff Pi V2 pushes a scooped tone toward mid-forward
Comes later in the signal chain
Fender Bassman AB165 Amp
amplifier
26% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
Run Electro-Harmonix 1973 Violet Ram's Head Big Muff Pi V2 into that transparent platform and it finally leans toward mid-forward
Comes later in the signal chain
Engl Tube 50 Combo E768
Engl
26% matchRun Electro-Harmonix 1973 Violet Ram's Head Big Muff Pi V2 into that high headroom platform and it finally leans toward mid-forward
Comes later in the signal chain
Victory Amplifiers V30 The Countess
Victory
25% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
The transparent tone has headroom to spare — Electro-Harmonix 1973 Violet Ram's Head Big Muff Pi V2 leans it toward mid-forward to fill it in
Comes later in the signal chain
Diezel BIG MAX
Diezel
23% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
Run Electro-Harmonix 1973 Violet Ram's Head Big Muff Pi V2 into that transparent platform and it finally leans toward mid-forward
Comes later in the signal chain
PRS Archon 50 2-Channel 50W 1x12 Combo
PRS
23% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
The transparent tone has headroom to spare — Electro-Harmonix 1973 Violet Ram's Head Big Muff Pi V2 leans it toward mid-forward to fill it in
Comes later in the signal chain
ENGL E633 Fireball 25
Engl
23% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
Into a transparent tone, Electro-Harmonix 1973 Violet Ram's Head Big Muff Pi V2 brings a pull toward mid-forward that's missing
Comes later in the signal chain
Engl E 635 100 Head
Engl
22% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
The transparent tone has headroom to spare — Electro-Harmonix 1973 Violet Ram's Head Big Muff Pi V2 leans it toward mid-forward to fill it in
Comes later in the signal chain
Engl E656 Steve Morse
Engl
22% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
The transparent tone has headroom to spare — Electro-Harmonix 1973 Violet Ram's Head Big Muff Pi V2 leans it toward mid-forward to fill it in
Comes later in the signal chain
Diezel VH-2 100 Watt Head
Diezel
21% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
Electro-Harmonix 1973 Violet Ram's Head Big Muff Pi V2 leans this transparent tone toward mid-forward, which it doesn't make on its own
Comes later in the signal chain
ENGL E651 Artist Edition
Engl
21% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
The transparent tone has headroom to spare — Electro-Harmonix 1973 Violet Ram's Head Big Muff Pi V2 leans it toward mid-forward to fill it in
Comes later in the signal chain
Harmony H605 Amplifier
Harmony
20% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
The transparent tone has headroom to spare — Electro-Harmonix 1973 Violet Ram's Head Big Muff Pi V2 leans it toward mid-forward to fill it in
Comes later in the signal chain
Peavey E110 Acoustic
Peavey
18% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
The transparent tone has headroom to spare — Electro-Harmonix 1973 Violet Ram's Head Big Muff Pi V2 leans it toward mid-forward to fill it in
Comes later in the signal chain
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