Pedals that stack with the Electro-Harmonix Canyon

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → ambient)

Put Electro-Harmonix Canyon after Snouse BlackBox Overdrive 2 in the signal chain, clear of Snouse BlackBox Overdrive 2's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → ambient)

Run Electro-Harmonix Canyon after Boss DS-2 Turbo Distortion in the signal chain, clear of Boss DS-2 Turbo Distortion's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → ambient)

Put Electro-Harmonix Canyon after Friedman IR-D in the signal chain, clear of Friedman IR-D's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → octave)

Keep Electro-Harmonix Canyon after Catalinbread Karma Suture GE in the signal chain, clear of Catalinbread Karma Suture GE's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → octave)

Put Electro-Harmonix Canyon after Real McCoy Custom RMC4 Wah in the signal chain, where it won't crowd Real McCoy Custom RMC4 Wah

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → octave)

Electro-Harmonix Canyon's modulated voice goes after Wampler Ratsbane Mini Distortion in the signal chain — it's not there to compete with Wampler Ratsbane Mini Distortion's own fuzzy character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Electro-Harmonix Canyon's modulated voice goes after Friedman IR-J Jake E. Lee Preamp in the signal chain — it's not there to compete with Friedman IR-J Jake E. Lee Preamp's own sustaining character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → octave)

Keep Ashdown MAS Vintage-Fuzz's germanium voice out front: Electro-Harmonix Canyon goes after Ashdown MAS Vintage-Fuzz in the signal chain so its modulated voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → ambient)

Put Electro-Harmonix Canyon after Warm Audio ODD Box V1 in the signal chain, clear of Warm Audio ODD Box V1's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → octave)

Keep Electro-Harmonix Canyon after Black Arts Toneworks Tres Diablos Ruidosos Black Arts Toneworks in the signal chain, clear of Black Arts Toneworks Tres Diablos Ruidosos Black Arts Toneworks's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → octave)

Put Electro-Harmonix Canyon after Caroline Guitar Company Hawaiian Pizza in the signal chain, clear of Caroline Guitar Company Hawaiian Pizza's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → octave)

Keep Electro-Harmonix Canyon after Dunlop Way Huge WM91 Pork & Pickle in the signal chain, clear of Dunlop Way Huge WM91 Pork & Pickle's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → octave)

Run Electro-Harmonix Canyon after Mr. Black Darling Fuzz in the signal chain, clear of Mr. Black Darling Fuzz's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → octave)

Put Electro-Harmonix Canyon after MXR M249 Super Badass Dynamic O.D. in the signal chain, clear of MXR M249 Super Badass Dynamic O.D.'s own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → octave)

Put Electro-Harmonix Canyon after Warm Audio Dirty Boy Jr. Fuzz in the signal chain, clear of Warm Audio Dirty Boy Jr. Fuzz's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → octave)

Put Electro-Harmonix Canyon after Old Blood Noise Endeavors Alpha Haunt Fuzz in the signal chain, clear of Old Blood Noise Endeavors Alpha Haunt Fuzz's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → octave)

Keep Electro-Harmonix Canyon after Fairfield Circuitry ~900 About Nine Hundred Fuzz in the signal chain, clear of Fairfield Circuitry ~900 About Nine Hundred Fuzz's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → octave)

Keep Black Arts Toneworks Sarcophagus's fuzzy voice out front: Electro-Harmonix Canyon goes after Black Arts Toneworks Sarcophagus in the signal chain so its modulated voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → octave)

Electro-Harmonix Canyon's modulated voice goes after Death By Audio Fuzz War in the signal chain — it's not there to compete with Death By Audio Fuzz War's own fuzzy character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → ambient)

Keep Crowther Hot Cake's full voice out front: Electro-Harmonix Canyon goes after Crowther Hot Cake in the signal chain so its modulated voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → octave)

Keep Electro-Harmonix Canyon after Crazy Tube Circuits Unobtanium Raw in the signal chain, clear of Crazy Tube Circuits Unobtanium Raw's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Electro-Harmonix Canyon after Catalinbread Dirty Little Secret MKI in the signal chain, clear of Catalinbread Dirty Little Secret MKI's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → ambient)

Keep J. Rockett The Dude V2's clean boost voice out front: Electro-Harmonix Canyon goes after J. Rockett The Dude V2 in the signal chain so its modulated voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → ambient)

Run Electro-Harmonix Canyon after Dunlop DL E MXR M EG 74 in the signal chain, clear of Dunlop DL E MXR M EG 74's own gain stage

Comes earlier in the signal chain