Pedals that stack with the Electro-Harmonix Canyon

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

The Screamer's mid-forward boost pushes into the Canyon's looping analog delay for a driven, colored signal.

Comes earlier in the signal chain

The Klon's transparent midrange boost pushes the Canyon's own modulated delay circuit louder without recoloring the repeats.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Boss BF-2 Flanger after Electro-Harmonix Canyon in the signal chain, where it won't crowd Electro-Harmonix Canyon

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

The Bad Stone's resonant, organic phase sweep follows the Canyon's looping analog delay for added motion.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → octave)

The Canyon's modulated, octave-laced delay trails the Katzenkonig's massive, shimmering octave distortion with real harmonic content to echo.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → ambient)

Keep Electro-Harmonix Canyon after J. Rockett HRM Hot Rubber Monkey V1 in the signal chain, clear of J. Rockett HRM Hot Rubber Monkey V1's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → ambient)

Keep Electro-Harmonix Canyon after Suhr Riot in the signal chain, clear of Suhr Riot's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → octave)

Run Electro-Harmonix Canyon after EarthQuaker Devices Hoof Germanium in the signal chain, clear of EarthQuaker Devices Hoof Germanium's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → octave)

Electro-Harmonix Canyon's modulated voice goes after Caroline Guitar Company Pizza in the signal chain — it's not there to compete with Caroline Guitar Company Pizza's own fuzzy character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → octave)

Keep Electro-Harmonix Canyon after Bixonic Expandora in the signal chain, clear of Bixonic Expandora's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → octave)

Keep Electro-Harmonix Canyon after Morley Power Fuzz Wah in the signal chain, where it won't crowd Morley Power Fuzz Wah

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → octave)

Electro-Harmonix Canyon's modulated voice goes after Sonicake Fazy Sandwich Fuzz in the signal chain — it's not there to compete with Sonicake Fazy Sandwich Fuzz's own fuzzy character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → octave)

Put Electro-Harmonix Canyon after Mad Professor Fire Red Fuzz in the signal chain, clear of Mad Professor Fire Red Fuzz's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → ambient)

The Canyon's modulated, octave-laced delay trails the Hot Drive'n Boost's valve-driven push with real harmonic content to echo.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → ambient)

Electro-Harmonix Canyon's modulated voice goes after Fender Pugilist in the signal chain — it's not there to compete with Fender Pugilist's own tight character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → octave)

Run Electro-Harmonix Canyon after Wren and Cuff Irkalla Manifest Fuzz in the signal chain, clear of Wren and Cuff Irkalla Manifest Fuzz's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → octave)

Keep Red Witch Synthotron V1's analog warmth voice out front: Electro-Harmonix Canyon goes after Red Witch Synthotron V1 in the signal chain so its modulated voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → octave)

Keep Roger Mayer Fuzz Box's dynamic voice out front: Electro-Harmonix Canyon goes after Roger Mayer Fuzz Box in the signal chain so its modulated voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → octave)

Electro-Harmonix Canyon's modulated voice goes after Zvex Woolly Mammoth in the signal chain — it's not there to compete with Zvex Woolly Mammoth's own fuzzy character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → octave)

Keep Electro-Harmonix Canyon after Catalinbread Antichthon Otherwordly Oscillating Fuzz in the signal chain, clear of Catalinbread Antichthon Otherwordly Oscillating Fuzz's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → ambient)

Keep Dophix David Overdistortion's high gain voice out front: Electro-Harmonix Canyon goes after Dophix David Overdistortion in the signal chain so its modulated voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → octave)

Keep Fjord Fuzz Frei's fuzzy voice out front: Electro-Harmonix Canyon goes after Fjord Fuzz Frei in the signal chain so its modulated voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → octave)

Electro-Harmonix Canyon's modulated voice goes after Catalinbread Giygas Gold in the signal chain — it's not there to compete with Catalinbread Giygas Gold's own fuzzy character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → ambient)

Keep Electro-Harmonix Canyon after Carl Martin Hot Drive 'N Boost mkI in the signal chain, clear of Carl Martin Hot Drive 'N Boost mkI's own gain stage

Comes earlier in the signal chain