Pedals that stack with the Electro-Harmonix Small Stone

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Electro-Harmonix Small Stone after J. Rockett Rocket in the signal chain, where it won't crowd J. Rockett Rocket — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

Run Electro-Harmonix Small Stone after EarthQuaker Devices Afterneath in the signal chain, where it won't crowd EarthQuaker Devices Afterneath — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Electro-Harmonix Small Stone after J. Rockett HRM Hot Rubber Monkey V2 in the signal chain, clear of J. Rockett HRM Hot Rubber Monkey V2's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → lush)

Put Electro-Harmonix Small Stone after Subdecay Super Spring Theory Reverb in the signal chain, where it won't crowd Subdecay Super Spring Theory Reverb — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Electro-Harmonix Small Stone after Catalinbread Dirty Little Secret MkIII in the signal chain, clear of Catalinbread Dirty Little Secret MkIII's own gain stage

Comes earlier in the signal chain

Put the Small Stone's vowel-y analog sweep after the Echotopia's tape-style echoes so the phasing colors the repeats instead of the dry signal. — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

The Small Stone's vowel-y, psychedelic phase sweep colors the Melee's massive, ambient noise-rock reverb directly instead of the dry signal. — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

Keep Electro-Harmonix Small Stone after Crazy Tube Circuits White Whale in the signal chain, where it won't crowd Crazy Tube Circuits White Whale — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

Put Electro-Harmonix Small Stone after Pigtronix Echolution in the signal chain, where it won't crowd Pigtronix Echolution — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → lush)

Run Electro-Harmonix Small Stone after Black Arts Toneworks -Fnord in the signal chain, clear of Black Arts Toneworks -Fnord's own gain stage

Comes earlier in the signal chain

Run the Small Stone's vowel-y, psychedelic phase sweep after the Space's shimmering, studio-grade stereo reverb and the modulation colors that decay directly. — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

Keep Electro-Harmonix Small Stone after Walrus Audio Fathom in the signal chain, where it won't crowd Walrus Audio Fathom — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

The Small Stone's vowel-y, psychedelic phase sweep colors the Mercury7's lush, shoegaze reverb directly instead of the dry signal. — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

The Small Stone's vowel-y, psychedelic phase sweep colors the Moby Dick's massive, lush ambient reverb directly instead of the dry signal. — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

Put Electro-Harmonix Small Stone after Walrus Audio Iron Horse in the signal chain, clear of Walrus Audio Iron Horse's own gain stage

Comes earlier in the signal chain

Run the Small Stone's vowel-y phase sweep after the Splash's spring reverb so the modulation colors the wash instead of the dry signal. — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

Run Electro-Harmonix Small Stone after Meris LVX Delay in the signal chain, where it won't crowd Meris LVX Delay — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

Put Electro-Harmonix Small Stone after Source Audio Nemesis in the signal chain, where it won't crowd Source Audio Nemesis — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Electro-Harmonix Small Stone after Benson Amps Delay PT2399 Echo in the signal chain, where it won't crowd Benson Amps Delay PT2399 Echo — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

Run the Small Stone's vowel-y, psychedelic phase sweep after the Splash MKIV's shimmering, surf-voiced reverb and the modulation colors the reverb tail directly. — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

Keep Electro-Harmonix Small Stone after TC Electronic Hall of Fame Reverb in the signal chain, where it won't crowd TC Electronic Hall of Fame Reverb — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

Run Electro-Harmonix Small Stone after Wampler Sovereign Distortion in the signal chain, clear of Wampler Sovereign Distortion's own gain stage

Comes earlier in the signal chain

Run Electro-Harmonix Small Stone after Electro-Harmonix Holy Grail Neo in the signal chain, where it won't crowd Electro-Harmonix Holy Grail Neo — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

Keep Electro-Harmonix Small Stone after IK Multimedia Tonex ONE in the signal chain, clear of IK Multimedia Tonex ONE's own gain stage

Comes later in the signal chain