Pedals that stack with the Electronic Audio Experiments Model feT V3.8

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (high headroom → high gain)

Run Airis Effects SPEC-Defier into that high headroom platform and it finally leans toward high gain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → smooth)

Run Electro-Harmonix Green Russian Big Muff after it and the bright edge settles into something more smooth

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Walrus Audio Monument CS after Electronic Audio Experiments Model feT V3.8 in the signal chain, clear of Electronic Audio Experiments Model feT V3.8's own gain stage

Comes earlier in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)

SahBro? Audio Ross Kempressor's own compressed character is the real reason this is worth trying

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Binson Echorec Delay after Electronic Audio Experiments Model feT V3.8 in the signal chain, clear of Electronic Audio Experiments Model feT V3.8's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Electronic Audio Experiments Model feT V3.8's bright voice out front: Alexander Pedals Now We Are Ghosts Reverb goes after Electronic Audio Experiments Model feT V3.8 in the signal chain so its ambient voice doesn't muddy it — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain