Pedals that stack with the ENGL E651 Artist Edition

← everything about the ENGL E651 Artist Edition

All 7 ranked by how well they pair, from rig co-occurrence and tone-complementarity evidence

Electro-Harmonix 1973 Violet Ram's Head Big Muff Pi V2

Electro-Harmonix

21% match
$114.30via Reverb

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

The transparent tone has headroom to spare — Electro-Harmonix 1973 Violet Ram's Head Big Muff Pi V2 leans it toward mid-forward to fill it in

Goes in front of the amp

Boss DS-2 Turbo Distortion

Boss

21% match
$89.47via Reverb

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

Into a transparent tone, Boss DS-2 Turbo Distortion brings a pull toward mid-forward that's missing

Goes in front of the amp

Klon KTR

Klon

21% match

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → medium gain)

Run Klon KTR into that transparent platform and it finally leans toward medium gain

Goes in front of the amp

JHS 3 Series Flanger

JHS Pedals

17% match

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep JHS 3 Series Flanger after ENGL E651 Artist Edition in the signal chain, clear of ENGL E651 Artist Edition's own gain stage

Goes in front of the amp

Xotic SP Compressor

Xotic

11% match
$147via Reverb

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

What Xotic SP Compressor brings here leans toward smooth — that's worth building a pairing around

Goes in front of the amp

Fender Hammertone Reverb

Fender

10% match
$85.19via Reverb

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Fender Hammertone Reverb's lush voice goes in ENGL E651 Artist Edition's effects loop — it's not there to compete with ENGL E651 Artist Edition's own full character — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

MXR Analog Delay

MXR

9% match

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put MXR Analog Delay in ENGL E651 Artist Edition's effects loop, clear of ENGL E651 Artist Edition's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

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