Pedals that stack with the ENGL Marty Friedman Inferno E766

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → mid-forward)

Feed a high gain signal into Browne Amplification Gritador and it comes out closer to mid-forward

Goes in front of the amp

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → clean boost)

Into the Inferno E766's gated, high-gain crunch, the King of Tone's transparent boost pushes real gain.

Goes in front of the amp

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → tight)

Friedman BE-OD takes that high gain character and pushes it toward tight

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → lush)

Electro-Harmonix Electric Mistress's lush voice goes after ENGL Marty Friedman Inferno E766 in the signal chain — it's not there to compete with ENGL Marty Friedman Inferno E766's own high gain character

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

What Pigtronix Philosopher's Tone Micro brings here leans toward mid-forward — that's worth building a pairing around

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → ambient)

Keep Mooer A7 Ambience in ENGL Marty Friedman Inferno E766's effects loop, clear of ENGL Marty Friedman Inferno E766's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → ambient)

Run Walrus Audio Fathom in ENGL Marty Friedman Inferno E766's effects loop, clear of ENGL Marty Friedman Inferno E766's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop