Mooer A7 Ambience

Marshall Plexi 1959SLP

Let the A7's church-style ambient reverb trail the 1959SLP's aggressive plexi saturation for extra depth on leads.

Dumble Overdrive Special Amp Head

Into the Dumble's responsive, transformer-driven blues breakup, the A7's church-voiced ambient reverb has a genuinely legendary amp voice to swell into.

Bad Cat Hot Cat 50 Mod Shop Combo

Run the A7 in the Hot Cat's loop so its cavernous, infinite reverb trails the amp's saturation instead of getting driven along with it.

Krank Krankenstein

Mooer A7 Ambience's pristine voice goes in Krank Krankenstein's effects loop — it's not there to compete with Krank Krankenstein's own saturated character

Bad Cat Lynx

Run Mooer A7 Ambience in Bad Cat Lynx's effects loop, clear of Bad Cat Lynx's own gain stage

Fender Super-Sonic Head 2-Channel 22-Watt

Keep Mooer A7 Ambience in Fender Super-Sonic Head 2-Channel 22-Watt's effects loop, clear of Fender Super-Sonic Head 2-Channel 22-Watt's own gain stage

Blackstar HT Stage 100 MK III Head

Keep Mooer A7 Ambience in Blackstar HT Stage 100 MK III Head's effects loop, clear of Blackstar HT Stage 100 MK III Head's own gain stage

EVH 5150III LBX II

Run Mooer A7 Ambience in EVH 5150III LBX II's effects loop, clear of EVH 5150III LBX II's own gain stage

Klon Centaur

A7 Ambience's digital, church-style reverb closes out the Klon's midrange breakup with spacious ambience instead of more gain.

REVV G4 Distortion

Put the Ambience's cavernous reverb after the G4's aggressive high-gain distortion, catching the amp-like saturation rather than getting distorted itself.

Dunlop JHMS2 Hendrix Shrine Series Octavio Fuzz

Put Mooer A7 Ambience after Dunlop JHMS2 Hendrix Shrine Series Octavio Fuzz in the signal chain, clear of Dunlop JHMS2 Hendrix Shrine Series Octavio Fuzz's own gain stage

Electro-Harmonix EH-1335/EH-3075 Hot Tubes

Mooer A7 Ambience's pristine voice goes after Electro-Harmonix EH-1335/EH-3075 Hot Tubes in the signal chain — it's not there to compete with Electro-Harmonix EH-1335/EH-3075 Hot Tubes's own saturated character

Dallas Rangemaster Treble Booster

The A7's church-voiced ambient reverb doesn't stack gain with the Rangemaster's treble boost — it just gives the boosted signal a spacious tail to decay into.

Carl Martin Hot Drive'n Boost MK3

Keep the A7's cavernous reverb after the Hot Drive'n Boost's gain, so the shimmer trails a saturated signal rather than a raw one.

Blackstar DEPT10DDS Dept.10 Dual Distortion

Run Mooer A7 Ambience after Blackstar DEPT10DDS Dept.10 Dual Distortion in the signal chain, clear of Blackstar DEPT10DDS Dept.10 Dual Distortion's own gain stage